Curator
Art and artificial intelligence
Biennale Tecnologia 2026, the AI Pillar of Torino 2033, and the 2023 MAXXI Bvlgari Prize for And We Thought
Researcher
Entangled authorship and co-creation with AI
PhD in Computer Science (Human–Computer Interaction), awarded with distinction, Free University of Bozen-Bolzano, 2026
Educator
Generative AI for culture
Director of Rigenerativa, Degenerativa, Generativa and Generative Heritage.
Areas of work
The themes explored through his research, curatorial practice and public talks, alongside the projects in which he has developed them.
Entangled authorship: authorship and agency in AI art
Who is the author of an artwork co-created with a generative system? This question is central to his doctoral thesis and the conference Che cos’è un autore.
Co-creation between artists and AI
Ways of working between artists and generative systems, tested in works such as And We Thought by Roberto Fassone.
Curatorship and AI
How artificial intelligence is changing curatorial practice, explored through exhibitions such as Prompting the Real and Framing Problems.
AI for museums, archives and libraries
How cultural institutions can adopt AI in an informed and responsible way: the focus of the AI Compass research.
AI, cultural cooperation and places
AI as a tool for cultural organisations and place-based regeneration, at the heart of the Rigenerativa programme.
AI education for the cultural sector
Programmes for cultural professionals and artists, including Generativa Academy and Degenerativa.
Research
In 2026, Federico Bomba earned a PhD in Computer Science with honours from the Free University of Bozen-Bolzano, specialising in Human–Computer Interaction. His thesis, Agency and Authorship in AI Art, was supervised by Antonella De Angeli and Elisa Giaccardi. His research explores co-creation between artists and AI, shared authorship between people and generative systems—which he describes as entangled authorship—computational creativity, and AI education in the cultural sector.
He has held research positions at the University of Bologna and the Free University of Bozen-Bolzano. In 2025, he was invited to the Dagstuhl Seminar 25442, Augmenting Human Creativity with AI.
Journal articles
2025 · Agency and authorship in AI art: Transformational practices for epistemic troubles. International Journal of Human-Computer Studies, 205. With A. De Angeli. DOI
2024 · The Choreographer-Performer Continuum: A Diffraction Tool to Illuminate Authorship in More Than Human Co-Performances. ACM Transactions on Computer-Human Interaction, 31(6). With M. Menéndez-Blanco, P. Grigis, M. Cremaschi and A. De Angeli. DOI · Open-access version
Conference and workshop proceedings
2023 · And We Thought. Art Through, With or For Generative AI. GenAICHI Workshop, ACM CHI 2023. Workshop
2024 · The enchantment of truth: a call for artists to tackle conspiracy with wonder. Proceedings of the third AI, Cultural Heritage and Art workshop, CINECA. PDF
2023 · FOOD DATA DIGESTION: A Multidisciplinary Methodology Between Art, Culture and Artificial Intelligence, proceedings of the AI e Beni Culturali. Tra ricerca e creatività workshop, CINECA Visit Lab, pp. 35–42. With A. Tripaldi. DOI · PDF
2023 · A Flicker of Inspiration Within Boundaries: Insights About Creative Collaboration Between Playwrights and Generative AIs (third author). Integrating AI in Human-Human Collaborative Ideation workshop, CHI 2023, Hamburg.
2022 · Artificial Intelligence for Future. ISEA 2022, International Symposium on Electronic Art, Barcelona.
Books and reports
2026 · Culture Codes Democracy. Edited by Ars Electronica, Hatje Cantz. Contributor. PDF
2025 · La complessità dell’arte, l’arte della complessità. Krisis Publishing. Contributor. Book details
2022 · AI4Future – Governance Scenarios. Sineglossa. Download the PDF
2019 · Il ritorno a casa degli Ulissi. Le professioni al tempo della rigenerazione urbana. Economia della Cultura, 4/2019. Co-edited with L. Bizzarri.
Articles and essays
2025 · Using Wonder to Understand Artificial Intelligence: The Next Real. Pandora Rivista. Read
2024 · Art in the Cage of Digital Reproduction. Contribution to the collective project of the same name exploring intelligence and art as a common good, FORTUNE. Read
2023 · The Cultural and Creative Revolution of Generative Artificial Intelligence. Agenzia Cult. Read
2022 · Manuel Cirauqui and S+T+ARTS Project. An Interview by Kilowatt and Sineglossa. Diid – Disegno Industriale, 74. DOI
2022 · What Role Can Italy Play in the Artificial Intelligence Challenge? Fortune Italia.
2022 · The Role of Public Art in an Age of Pervasive Technology. cheFare. Read
2021 · A New Renaissance, Beyond the Rhetoric. TPI The Post Internazionale.
2021 · Nonturismo: Unexplored Detours Told by Local Residents. Culture et Démocratie. Read
2021 · Serra Madre: A New Ecosystem Connecting Art, Research and Business in Bologna. Agenzia CULT.
2021 · What would Gropius do a century later? Network conversations on the New European Bauhaus. Conexiones Improbables.
2020 · New Hybrid Ecosystems for Innovation. AGCULT. Read
2020 · Interview on Datapoiesis. Exibart.
2019 · Interview with Biancoshock. Exibart.
Curatorial work
Exhibitions, artworks and public programmes exploring art and artificial intelligence, curated in Italy and across Europe.
ONGOING · I’ve Seen the Future by Roberto Fassone, artistic and scientific curatorship; Italian Council, produced by Sineglossa; intended for the MART’s permanent collection.
2026 · AI Pillar – Torino 2033, curator for Turin’s bid to become European Capital of Culture 2033.
2026 · Framing Problems, Biennale Tecnologia 2026 (Politecnico di Torino) and Fondazione Sandretto Re Rebaudengo, Turin; works by Hito Steyerl, Diego Marcon, Ian Cheng, Xin Liu, Martyna Marciniak, Roberto Fassone and Katja Novitskova.
2026 · Dati Sensibili, Biennale Tecnologia 2026, Museo Nazionale del Risorgimento Italiano, Turin, in collaboration with Associazione Archivio Storico Olivetti. Starting from the idea that, before becoming datasets, data were human experience, work and decisions, the exhibition brought together museum, archive, TIM Enterprise, Politecnico di Torino and the journal Mangrovia around OLO, a conversational agent based on the archive’s materials, whose character, tone and mode of interaction were designed by Sineglossa to avoid the oracle effect: an interlocutor that uses documents to raise questions and suggest connections with the present
2025 · Prompting the Real, AlmaAI, Cineca and INFN, Museo di Palazzo Poggi, Bologna; with Jerry Galle, Roberto Pugliese, Alexey Yurenev, Sarah Ciston, Silvia Galletti, Michele Cremaschi, Francesco Frisari and Damien Roach.
2025 · AI Manifesta, Fondazione Gramsci, Bologna, with Francesco D’Isa.
2025 · The Models by dmstfctn, Tecnopolo Manifattura Data Valley Hub, Bologna, in collaboration with Ars Electronica, Cineca, FBK and the Emilia-Romagna Region.
2024–2025 · The Next Real, exhibitions, talks and workshops on art, AI and society, Bologna.
2024 · Argo, solo exhibition by Paolo Bufalini, Palazzo Ducale, Genoa; SIAE and the Italian Ministry of Culture (Per Chi Crea).
2024 · Pigmalione Sci-Fi #2. Profezie che si autoavverano, ROBOT Festival, Bologna, with Emanuele Rodolà, Alessandro Vietti and Nicoletta Vallorani.
2024 · When They See Us, exhibition on AI and biometric surveillance, Biblioteca Salaborsa, Bologna, with Dries Depoorter and Tactical Tech.
2024 · Che cos’è un autore, conference on authorship and generative AI, Biblioteca Salaborsa, Bologna, with Kamilia Kard, Francesco D’Isa, Roberto Fassone, Wu Ming 2, Francesca Lagioia, Maurizio Lana and Giovanni Leghissa.
2024 · Pigmalione Sci-Fi #1. Profezie che si autoavverano, Festival del Pensare Contemporaneo, Piacenza, with Catalina Curceanu, Enrico Giovannini, Francesca Cavallero and Giorgiomaria Cornelio.
2023 · Cibernetica e fantasmi, exhibition on poetry written with, about and by AI, Museo Civico Villa Colloredo Mels, Recanati; with Sasha Stiles, Nanni Balestrini, Werner Herzog, Fabrizio Venerandi, Francesca Gironi, Paolo Agrati and Ross Goodwin.
2023 · And We Thought V by Roberto Fassone, Villa Reale, Monza.
2023 · Scarto by Masako Matsushita, dance and AI performance, OperaEstate Festival, Bassano del Grappa.
2023 · Metabolo by Valerie Tameu, dance and AI performance, Ars Electronica Festival, Linz.
2023 · ISOTTA – Intelligent System for Organic Tweeting and Thoughtful Artistry by Michele Cremaschi, Ars Electronica Festival, Linz.
2023 · And We Thought II/III by Roberto Fassone, Art City Bologna; 2023 MAXXI Bvlgari Prize for Digital Art.
2022 · Frontignano Art Walks, Frontignano di Ussita, with orizzontale.
2022 · AI4Future Final Exhibition, MEET Digital Culture Center, Milan, with Luca Pozzi, Nino Basilashvili, Bernat Cunì and Chunju Yu.
2022 · Biofilie, solo exhibition by Giulia Tomasello, Mole Vanvitelliana, Ancona.
2022 · art+b=love(?) Festival, fifth edition, Mole Vanvitelliana, Ancona, with Umanesimo Artificiale (Filippo Rosati and Ksawery Kirklewski), Giulia Tomasello, Francesca Gironi and Daniele Fabris.
2022 · And We Thought | Food Data Digestion by Roberto Fassone, Play with Food Festival, Libreria Bodoni and Combo, Turin.
2021 · Solo exhibition by Marco Barotti (co-curator), Resilienze Festival, Serre dei Giardini Margherita, Bologna.
2021 · Data Tour d’Italie, Ars Electronica Garden, Linz, with Filippo Rosati (Umanesimo Artificiale), Marco Barotti, NEUNAU, Giovanni Muzio, Emanuele Balia and Marcello Cualbu.
2021 · NEAR + FUTURES + QUASI + WORLDS (advisor), STARTS exhibition, Biblioteca Salaborsa, Bologna.
2021 · Soniche Visioni Olografiche by Roberto Pugliese, with Raffaele Deluca, Museo della Memoria e della Pace, Salerno.
2020 · AI or the philosophical stone – IAQOS Ancona, with Hannes Egger, Incipit Fest, Ancona; MiBACT (Biblioteca Casa di Quartiere).
2020 · Datapoiesis (artistic direction), with Maison 22, Salvatore Iaconesi and Oriana Persico, Art City Bologna; Compagnia di San Paolo (ORA!); acquired by the Farnesina Collection.
2019 · Amazon’s Cabinet of Curiosities (Algorithmic Enquiry n.1) by Emilio Vavarella, ArtVerona, with Brazzale, Calzedonia, Lavagnoli Marmi, Veronesi Holding and other companies.
2019 · IAQOS by Salvatore Iaconesi and Oriana Persico, MiBAC, Directorate-General for Contemporary Art and Architecture and Urban Peripheries (periferiA Intelligente).
Training programmes
Scientific direction and co-direction of programmes on generative AI for the cultural sector, aimed at cultural professionals, artists and cultural regeneration centres.
2025–2026 · Rigenerativa. Formazione alla generative AI per la rigenerazione dei luoghi, co-director; promoted by Fondo per la Repubblica Digitale, with the Lo Stato dei Luoghi network and 14 cultural organisations; training partners: Future Education Modena and Alma AI – University of Bologna. Focus: using AI to strengthen centres for culture-led regeneration.
2026-2027 · Degenerativa, co-director; Bologna edition supported by SIAE and the Italian Ministry of Culture (Per Chi Crea), Catanzaro edition within the Catanzaro Integrated Development Strategy (PR Calabria FESR FSE+ 2021–2027). Focus: generative AI for artists.
2025-2026 · Dicolab. Cultura al digitale – HUB Emilia-Romagna e Marche, co-director; promoted by Scuola nazionale del patrimonio e delle attività culturali (Italian Ministry of Culture), with G-Lab, Fondazione Golinelli and BAM!. Focus: AI for cultural heritage.
2024-2026 · Generativa Academy, director; Italian Ministry of Culture, with Tlon, Matera Hub, the University of Naples L’Orientale and Basilicata Creativa. Focus: generative AI for Italy’s cultural sector.
2025 · Generative Heritage, co-director; with Fondazione Fitzcarraldo, supported by Compagnia di San Paolo. Focus: generative AI for the cultural and creative sectors, artists and digital curators.
2021 · IAQOS Bolzano, tool and campus developed within the make it visible 4 project; Youth Policy Office of the Autonomous Province of Bolzano.
Teaching
Lectures and seminar series at universities, academies and training programmes on curating, art and design with artificial intelligence, and on its cultural and political implications.
2026 · AI Curatorship, lecture for Dicolab. Cultura al digitale, HUB Emilia-Romagna e Marche, Opificio Golinelli, Bologna; PNRR Cultura 4.0 programme, Italian Ministry of Culture – Digital Library.
2024–2025 · A Digital Framework #3, a series of four sessions on technology, art and design, Academy of Fine Arts of Bologna.
2024 · Guest lecture for Elisa Giaccardi’s More-Than-Human AI course, Master’s degree in Design, Politecnico di Milano, in collaboration with the Design Intelligences Institute.
2024 · Guest lecture for the course The Political and Cultural Imaginaries of Digital Technologies, at the invitation of Maurilio Pirone, University of Bologna.
Talks
Talks, panels and moderations since 2019, in Italy and internationally
24 OCTOBER 2026 · Cultural Experiences for Navigating the Complexity of Artificial Intelligence, Summit Architecta 2026, organised by Architecta – Società Italiana di Architettura dell’Informazione, Turin. A third way between alarmism and uncritical enthusiasm, through the exhibitions Cybernetic and Ghosts and Dati Sensibili, featuring the conversational agent OLO.
16 OCTOBER 2026 · Generative AI and Cultural Cooperation, Life on Mars 2026 – Fairness, Futures and International Cultural Cooperation, organised by Liv.in.g, Rome. Sineglossa’s approach to AI for the cultural sector, drawing on Rigenerativa and the co-design of an AI tool with thirty cultural organisations.
3 OCTOBER 2026 · Cartoline da Bakota, Internazionale a Ferrara, Ferrara. Presentation of the guide Bakota. A Portal to Ukraine, produced within A Discovery Guide for Recovery (Creative Europe), coordinated by Sineglossa; with Robin Alysha Clemens, Anna Romandash and Wu Ming 2, moderated by Andrea Pipino.
3 OCTOBER 2026 · Silence behind the frontlines, Internazionale a Ferrara, Ferrara. Presentation of the podcast co-written with Beatrice Petrella within A Discovery Guide for Recovery; in conversation with Jonathan Zenti.
1 OCTOBER 2026 · The Conditions for Independence: Generative AI and Mediterranean Knowledge (moderator), Fondazione Matera Basilicata 2019 and Anna Lindh Foundation, Matera 2026 Mediterranean Capital of Culture and Dialogue, Matera; with Sari Hanafi, Valerio Calabrese, Yousef Torman, Dorte Riemenschneider and Emily Choynowski.
18 SEPTEMBER 2026 · Progettare cultura, sperimentare tecnologie: pratiche a confronto per nuovi territori culturali (roundtable), Consulta delle Fondazioni del Triveneto, Verona; with Serena Bertolucci, Cinzia Condò and Anna Brugnara, following a keynote by Giovanna Melandri.
3–4 SEPTEMBER 2026 · Between Creativity and Technology: Teaching Art and Design in the Age of Artificial Intelligence (panel), Creative Forum 2026, Misk Art Institute, Riyadh; with Gizeh Rangel and Areej Alwabel, moderated by Nuha AlSharif. Presentation of Generativa and its approach to AI education.
2026 · Opening talk for the exhibition Framing Problems, Fondazione Sandretto Re Rebaudengo, Turin; with Patrizia Sandretto Re Rebaudengo, Guido Saracco, Xin Liu, Diego Marcon, Massimiliano Gioni, Hans Ulrich Obrist and Bernardo Follini.
2026 · Sensitive Data: From the Archive to the Production of Contemporary Knowledge, Museo Nazionale del Risorgimento Italiano, Turin; with Elisa Alessio (TIM Enterprise), Alessandro Bollo, Gaetano Adolfo Maria di Tondo (Olivetti, TIM Enterprise) and Anna Maria Marras (AVICOM).
2026 · AI Factory and the Cultural Ecosystem: Designing Infrastructure to Support Artistic and Creative Production (concept and moderation), ARTLAB Bologna 2026, Bologna, curated by ART-ER, promoted by Fondazione Fitzcarraldo; with Pier Luigi Sacco and others.
2026 · AI Compass for Cultural Heritage (webinar, moderator), presentation of research by Sineglossa and the University of Turin on the informed adoption of AI in museums, libraries and archives; with Simone Natale, Anna Maria Marras (AVICOM), Emanuela Totaro (Fondazione Kainòn), Carlo Maiolini and Luca Scoz (MUSE Trento).
2025 · Creating Rapid Response Learning Environments (panel), Ars Electronica Festival 2025, Linz; with Dobrivoje Lale Eric, Pedro Russo and Victoria Vesna.
2025 · Presentation of the paper The Choreographer-Performer Continuum: A Diffraction Tool to Illuminate Authorship in More Than Human Co-Performances, ACM CHI 2025, Conference on Human Factors in Computing Systems, Yokohama. Paper: DOI · Open-access version.
2025 · Prompting the Real – Meet the artists, Museo di Palazzo Poggi, Bologna; with Jerry Galle, Roberto Pugliese, Alexey Yurenev, Sarah Ciston, Silvia Galletti, Michele Cremaschi, Francesco Frisari and Damien Roach.
2025 · Opening talk for Prompting the Real, Museo di Palazzo Poggi, Bologna; with Giovanni Molari (Rector of the University of Bologna), Giuliana Benvenuti, Michela Milano (Alma AI) and Lucas Evers (Waag).
2025 · Opening talk for The Models, Onkaos, SOLO CSV, Madrid; public conversation with dmstfctn.
2025 · The Never Never, Ultima Città festival, Frontino; with Francesco D’Isa.
2025 · AI, Trust & Believe (moderator), Gluon, New Metabolism Symposium, Brussels, within European Digital Deal; with Martyna Marciniak, Pierre-Christophe Gam and dmstfctn.
OCTOBER 2024 · Digital Art: Case Studies of Innovative Experiences, Festival Economia della Cultura, Zagarolo, for Lazio Innova; with Simone Arcagni, Barbara Carfagna and Sofia Pescarin.
OCTOBER 2024 · Presentation of Tecnologia della Rivoluzione (Il Saggiatore), Festival del Presente, Pandora Rivista, Bologna; with Diletta Huyskes.
OCTOBER 2024 · AI & Cultural Heritage (panel), RomaEuropa Festival, Digitalive – ADV Arti Digitali dal Vivo, Rome.
OCTOBER 2024 · Pigmalione Sci-Fi #2: Self-Fulfilling Prophecies, ROBOT Learn, Bologna; with Nicoletta Vallorani, Emanuele Rodolà and Alessandro Vietti.
SEPTEMBER 2024 · AI & Poetry, Foqus Fondazione Quartieri Spagnoli, Naples, for Metalab di Infiniti Mondi; with Maria Grazia Falciatore, Sergio Avolio, Giuseppe Gaeta, Simone Arcagni and Carla Granieri.
SEPTEMBER 2024 · Generative AI for Everyday Life and Academic Research (roundtable), NETIAS Debate, University of Bologna, Bologna; with Paolo Torroni, Anita Lavorgna, Corrado Caruso, Roberta Calegari, Allegra De Filippo, Giulia Sudano and Martina Pennisi.
SEPTEMBER 2024 · Art, Creativity and Artificial Intelligences (conversation), OBLIQUA, Bologna Innovation Square, Bologna; with Francesco D’Isa.
SEPTEMBER 2024 · Opening talk for When They See Us, Bologna; with Dries Depoorter, The Good Lobby, info.nodes and Hermes Digital Center.
SEPTEMBER 2024 · Pigmalione Sci-Fi: Self-Fulfilling Prophecies, Festival del Pensare Contemporaneo, Piacenza; with Enrico Giovannini, Catalina Curceanu, Francesca Cavallero and Giorgiomaria Cornelio.
MAY 2024 · Exploring the Relationships Between AI & Society (workshop and panel), Bologna, for IPSA; with Ivana Pais and Michele Molè.
MAY 2024 · Technology, Democracy and Data, Reclaim The Tech Festival, Bologna.
2024 · AI Chronicles: A Romantic History of Artificial Intelligence, Scuola Belleville, Milan; with Andrea Cristallini, Diletta Huyskes and Ruben Spini.
2024 · (MIS)UNDERSTOOD! What Natural and Artificial Language Have in Common and What Sets Them Apart, Festival del Pensare Contemporaneo, Piacenza; with Gino Roncaglia, Simone Arcagni and Valentina Bambini.
2024 · Pratolungo Unconference, at the invitation of Alessandro Fusacchia.
DECEMBER 2023 · Opening talk for Cybernetic and Ghosts – AI & Poetry, Recanati; with Sasha Stiles and Valerio Cuccaroni.
DECEMBER 2023 · AI For the People, Bologna, for the Into the Black Box research group; with Galileo Morandi, Matteo Pasquinelli, Michela Milano and Raffaele Tavarone.
NOVEMBER 2023 · Exploring the intersection between art and algorithms (moderator), Mudam Luxembourg, Luxembourg Art Week, Luxembourg; with Ingrid Luquet-Gad, Jerry Galle and Tirdad Zolghadr.
SEPTEMBER 2023 · The Cultural and Creative Revolution of Generative Artificial Intelligence (roundtable), ARTLAB Bergamo, Fondazione Fitzcarraldo, Bergamo; with Simone Arcagni, Luca Baraldi, Elisa Giaccardi and others.
2023 · Will writers lose their jobs with the advent of new AI language generators?, STS Italia Conference 2023, University of Bologna, Bologna.
SEPTEMBER 2023 · Technology, Artificial Intelligences and Complex Problems, Rena Summer School 2023; with Luca Baraldi.
2023 · Generative artificial intelligence and the future of cultural diversity, World Wide Wisdom Conference, organised by Translated, Rome; with Maria Domenica Castellone, Alessandro Fusacchia, Luca De Biase, Roberto Viola, Marco Trombetti and Diletta Huyskes.
JUNE 2023 · Food Data Digestion, Fondazione Circolo dei Lettori, Cantieri 2023, Turin; with Mariano Dammacco and Josephine Condemi.
JUNE 2023 · AI for Good (panel), We Make Future, Rimini; with Antonella Guidazzoli and Maria Chiara Liguori (CINECA), Nicoletta Tranquillo (Kilowatt).
APRIL 2023 · Inhabiting the Highlands (video contribution), Seed360 – Festival Seed Design Actions for the Future, Fondazione Giordano; with Margherita Manfra and Paolo Piacentini.
2023 · And We Thought. Art & AI, CINECA, Bologna, AI and Cultural Heritage between research and creativity workshop, at the invitation of Eurac Research.
2023 · And We Thought. Art through, with and for AI, TU Delft, Industrial Design Engineering, Delft.
2023 · Pratolungo Unconference, at the invitation of Alessandro Fusacchia.
SEPTEMBER 2022 · Digital ecosystem for the cultural sector (roundtable), ARTLAB Bergamo 2022, Fondazione Fitzcarraldo, Bergamo.
2022 · Engaging communities in the New European Bauhaus framework, Global Mountain Sustainability Forum, at the invitation of Eurac Research.
JUNE 2022 · Artificial intelligence as a creative tool for activism, ISEA 2022, 27th International Symposium on Electronic Art, Barcelona.
2022 · Citizens’ active engagement through data sharing, All Digital Weeks webinar.
2022 · The role of public digital art for citizens’ engagement in public affairs, Italian Chamber of Deputies, Rome, Il futuro dell’IA conference, organised by Alessandro Fusacchia.
2022 · How to build new synergies between the artistic and the academic context to support a more encompassing HCI research and education, Free University of Bozen-Bolzano, Bolzano.
2021 · Invisible Connections: Art, Science, Businesses and Citizens, Resilienze Festival, Bologna; with Alessandro Rancati, Elly Schlein, Linda di Pietro, Nadia Pinardi and Leonardo Caffo.
2021 · Interview with Manuel Cirauqui, curator of the S+T+ARTS exhibition, Creative and Cultural Industries Festival, Bologna.
2021 · From Civic Imagination to Social Enterprise (online talk), TorinoProxima with SocialFare, at the invitation of CCW Cultural Welfare Center.
2021 · Data Tour d’Italie: A Network Connecting the Environment and Data, Privacy Week, at the invitation of Privacy Network.
2021 · Video interview, Italia Che Cambia, with Daniel Tarozzi.
2020 · Industries MEET Creativity (moderator), Regional S+T+ARTS Centers Symposium, MEET Digital Culture Center, Milan.
2020 · IAQOS: An Open-Source Neighbourhood Artificial Intelligence (online talk), Festival Informatici Senza Frontiere.
2020 · Sotto Sopra: Rethinking the Meaning of Places through Community and Creativity (online talk), MOU – narrazioni di una montagna comune; with Cooperativa 19, Comuniterrae and La Rivoluzione delle Seppie.
2019 · Art as a Strategy for Social and Economic Development, ArtLab Bergamo, Bergamo.
Committees and juries
2026
Scientific committee of Dedalus – New Media and Digital Culture Research Center, IULM University.
Scientific committee of Ri-generare con creatività, Italian Ministry of Culture.
Impact Grant Selection Committee, The Supporting Act Foundation.
2025
Jury for the A Discovery Guide for Recovery open call for artists (Creative Europe), with Josh Plough (Fundacja Ziemniaki) and Alina Oliinyk (Territory NGO)
2024
Jury for the European Digital Deal open call for artists (Creative Europe), with Wu Ming 2, Luca Baraldi, Ilaria Bonacossa, Sara Tonelli and Barbara Busi
2023
Jury for the Cibernetica e fantasmi open call for poets
2022
Jury for the AI4Future open call for artists (Creative Europe)
2021
Jury for the International Summer Session open call for artists, V2_ Lab for the Unstable Media
Awards and recognition
2023
MAXXI Bvlgari Prize for Digital Art, And We Thought by Roberto Fassone.
2022
Recognised as a good practice within the H2020 Artsformation project
2021-2017
ITAS Prize for the Nonturismo guide to Ussita.
ADI Design Index (Compasso d’Oro).