{"id":35689,"date":"2026-10-25T09:19:08","date_gmt":"2026-10-25T09:19:08","guid":{"rendered":"https:\/\/sineglossa.it\/?post_type=team&p=35689"},"modified":"2026-11-01T09:56:23","modified_gmt":"2026-11-01T09:56:23","slug":"alessia-tripaldi","status":"publish","type":"team","link":"https:\/\/sineglossa.it\/en\/team\/alessia-tripaldi\/","title":{"rendered":"Alessia Tripaldi"},"content":{"rendered":"\t\t
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Researcher<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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AI and cultural institutions<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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She investigates needs, expectations and AI adoption practices through interviews, focus groups and case studies, from the AI Compass<\/em> research to the Generativa study<\/em>.<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Learning Designer and Trainer<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Educational methodologies, STEAM and gender equality<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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She develops programmes and tools for artists, cultural professionals, educators and young people, focusing on STEAM approaches and tackling gender inequalities.<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Storyteller<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Characters and conversational systems<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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She brings writing and character development into the design of interactions with AI, working on the characterisation of Eugenie<\/em> and OLO<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Areas of work<\/h2>\t\t\t\t<\/div>\n\t\t
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The themes explored through her research, programme design and public speaking, alongside the projects in which she has developed them.<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Informed AI adoption in culture<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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How museums, archives and libraries assess AI and make decisions consistent with their mission: the focus of the AI Compass<\/em> research.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tExplore the research<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Learning programme design<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Translating learning needs and objectives into programmes that combine technical knowledge, critical reflection and experimentation, such as Generativa<\/em> and Degenerativa<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tExplore all programmes<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Chatbot characterisation<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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The identity, tone of voice and dialogue patterns of conversational systems: from Eugenie<\/em>, the magic lantern that engages visitors at the National Museum of Cinema, to OLO<\/em>, the agent that encourages questions and critical discussion around materials from the Olivetti Archive.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tExplore the chatbots<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Business ideas, teams and organisational values<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Serious games and workshops for businesses, institutions and teams, designed to develop business ideas, strengthen collaboration and rethink organisational values and identity, such as Elevator<\/em> and Collage for Corporate Values<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Life skills, STEAM and gender inclusion<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Methodologies that develop adolescents\u2019 and young people\u2019s transferable skills through the archetypes of Be Your Hero<\/em>, and tackle gender inequalities in STEM education, gaming and AI, as in WeSTEAM<\/em>, NuGamers<\/em> and Her Tech<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tExplore the methodologies<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Sustainability and community narratives<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Tools for understanding sustainability and involving communities in exploring and interpreting their local areas, from EDUS<\/em> to Nonturismo<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tExplore all methodologies<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Research <\/h2><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Alessia Tripaldi\u2019s research connects the understanding of needs, the analysis of practices and the design of tools. In the cultural sector, she studies the conditions that make AI adoption understandable, sustainable and consistent with institutions\u2019 heritage and audiences.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Books and reports<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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2026 \u00b7 AI Compass for Cultural Heritage. Reflections on the Informed Adoption of Generative AI<\/a><\/em>, research by Sineglossa<\/strong> and the University of Turin<\/strong>, developed within the CHANGES<\/strong> project and funded by the European Union \u2013 NextGenerationEU<\/strong>. With Simone Natale<\/strong> and Luca Befera<\/strong>. English edition on Zenodo<\/a>.<\/p>

2025 \u00b7 GenAI for Growth in the Cultural and Creative Sector: Analysis of the Results of Generativa\u2019s Focus Groups<\/a><\/em>, a qualitative study involving artists, GLAM professionals and the cultural and creative industries, conducted within Generativa<\/strong>, funded by the European Union \u2013 NextGenerationEU<\/strong>. With Luca Baraldi<\/strong>.<\/p>

She has also contributed to the development and review of Vitamina A. A Study of the Relationship Between Artists and Businesses in the Marche Region<\/a><\/em> and Match! A Study of Creativity and Innovation in South Tyrolean Businesses<\/a><\/em>, Sineglossa research projects on collaboration between artistic processes and organisations.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Conference and workshop proceedings<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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2023 \u00b7 FOOD DATA DIGESTION: A Multidisciplinary Methodology Between Art, Culture and Artificial Intelligence<\/em>, proceedings of the workshop AI and Cultural Heritage: Between Research and Creativity<\/em>, CINECA Visit Lab<\/strong>, pp. 35\u201342. With Federico Bomba<\/strong>. DOI<\/a> \u00b7 PDF<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Research outputs<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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2026 \u00b7 Eugenie Chatbot<\/a><\/em>, a prototype for cultural heritage interpretation developed by Sineglossa<\/strong>, the University of Turin<\/strong> and the National Museum of Cinema<\/strong>, registered in the University of Turin\u2019s IRIS repository. With Michele Cremaschi<\/strong>, Luca Befera<\/strong>, Federico Bomba<\/strong>, Paolo Grigis<\/strong> and Simone Natale<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Chatbots and cultural heritage interpretation <\/h2><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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Alessia Tripaldi works on the narrative and relational dimensions of chatbots: the identities they take on, how they address people and the conversational experiences they offer. Their characterisation develops through dialogue with those who know the collections and those developing the technology.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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2026 \u00b7 Chatbot prototype for the Centro Internazionale di Studi Primo Levi<\/strong>, Turin. Methodology design, coordination and training within Sineglossa\u2019s experimental project exploring new ways to access and consult Primo Levi\u2019s works<\/strong>: co-design with staff, identification of audiences, definition of tone of voice and interaction criteria, and validation of responses. The prototype is undergoing development and internal testing.<\/p>

2026 \u00b7 Qui<\/a><\/em>, contribution to the characterisation of the chatbot within the installation for the Il Poggiolo Visitor Centre at Monte Sole Historical Park<\/strong>, Marzabotto. Promoted by Ozono Factory APS<\/strong> and produced by Sineglossa<\/strong>, with visuals by Cera Persa Visualdesign<\/strong>, text and voice by Wu Ming 2<\/strong>, IT consultancy by Daniele Solombrino<\/strong>, set design by Michele Casale<\/strong>, and scientific consultancy and voice by Elena Monicelli<\/strong>. The chatbot helps users consult testimonies by retrieving excerpts from source materials without rewriting them.<\/p>

2026 \u00b7 OLO<\/em>, characterisation of the conversational agent for the exhibition Dati Sensibili<\/a><\/em>, Biennale Tecnologia<\/strong>, National Museum of the Italian Risorgimento<\/strong>, Turin. With Tommaso Sorichetti<\/strong>, in a project developed with TIM Enterprise<\/strong>, Politecnico di Torino<\/strong> and Associazione Archivio Storico Olivetti<\/strong>. Drawing on materials from the Archive and Mangrovia<\/a>, OLO is designed to encourage questions and discussion through dialogue.<\/p>

2025\u20132026 \u00b7 Eugenie<\/em>, methodology design, coordination and training for the development of a chatbot prototype for the National Museum of Cinema<\/strong>, Turin, in collaboration with the University of Turin<\/strong>. Workshops with museum staff informed the choice of object, audiences and character: an ancient magic lantern with a welcoming, sociable personality.<\/p>

2025\u20132026 \u00b7 AI consultancy programme for the National Museum of the Italian Risorgimento<\/strong>, Turin. Design, coordination and training within Sineglossa\u2019s programme with museum staff, which led to a feasibility assessment for an AI-based tool and the Manifesto for the Informed Use of AI<\/a><\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Alessia Tripaldi designs and coordinates programmes that connect technical knowledge, transferable skills and practical application in cultural work and artistic research.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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2026\u20132027 \u00b7 Degenerativa<\/a><\/em>, design and coordination of Sineglossa\u2019s learning programme on generative AI in artistic research, combining online learning, independent research and a residency with group work and a public presentation. The Bologna edition is developed with DumBO<\/strong>, supported by SIAE<\/strong> and the Italian Ministry of Culture<\/strong> through the Per Chi Crea<\/em> funding programme; the Catanzaro edition forms part of the Catanzaro Integrated Development Strategy<\/strong>, under the Calabria ERDF ESF+ Regional Programme 2021\u20132027<\/strong>.<\/p>

2025\u20132026 \u00b7 Rigenerativa<\/a><\/em>, coordination and teaching within the generative AI programme for cultural organisations in the Lo Stato dei Luoghi<\/strong> network, supported by Fondo per la Repubblica Digitale \u2013 Impresa sociale<\/strong>, with Future Education Modena<\/strong> and Alma AI \u2013 University of Bologna<\/strong>.<\/p>

2025\u20132026 \u00b7 Dicolab. Cultura al digitale \u2013 Emilia-Romagna and Marche Hub<\/a><\/em>, coordination of Sineglossa\u2019s training activities within the Hub managed by G-Lab Impresa Sociale<\/strong>, with Fondazione Golinelli<\/strong> and BAM! Strategie Culturali<\/strong>. The programme is promoted by the Italian Ministry of Culture \u2013 Digital Library<\/strong>, delivered by the Scuola nazionale del patrimonio e delle attivit\u00e0 culturali<\/strong> and funded by the European Union \u2013 NextGenerationEU<\/strong>.<\/p>

2025 \u00b7 Generative Heritage<\/a><\/em>, design, coordination and teaching within the programme promoted by Fondazione Fitzcarraldo<\/strong> and Sineglossa<\/strong> for artists and cultural professionals, focusing on AI, digitised heritage and the design of audience engagement experiences.<\/p>

2024\u20132026 \u00b7 Generativa<\/a><\/em>, design and coordination of the Academy\u2019s learning programme on generative AI for the cultural and creative sector. With Materahub<\/strong>, Basilicata Creativa<\/strong>, Tlon<\/strong> and the University of Naples L\u2019Orientale<\/strong>, under the scientific direction of Sineglossa<\/strong>, funded by the European Union \u2013 NextGenerationEU<\/strong> through the PNRR \u2013 TOCC<\/strong> programme.<\/p>

2022\u20132024 \u00b7 Machines for Good<\/a><\/em>, coordination of learning programmes on AI and civic participation within the European CERV<\/strong> programme, and contribution to the development and review of the Policy Recommendations<\/a><\/em>.<\/p>

2022\u20132024 \u00b7 Green Learning<\/a><\/em>, design and coordination of the programme combining performing arts and machine learning for sustainability education, supported by Fondazione Cariverona<\/strong>.<\/p>

2022\u20132023 \u00b7 Food Data Digestion<\/a><\/em>, design and coordination of the learning programme within Sineglossa\u2019s art and AI research and production project, with Play with Food<\/strong>, supported by Fondazione Compagnia di San Paolo<\/strong>.<\/p>

SINCE 2020<\/strong> \u00b7 Be Your Hero<\/a><\/em>, creation of the methodology for developing adolescents\u2019 transferable skills through archetypes, coordination of the programmes and delivery of mental training sessions. Fifteen editions delivered for organisations including Fondazione Unipolis<\/strong>, Fondazione Cariverona<\/strong>, the Waldensian Church<\/strong> and the Union of Italian Provinces<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Alessia Tripaldi designs serious games and participatory workshops for businesses, institutions and teams, using play and visual language to develop ideas, strengthen transferable skills and identify shared values. The formats are available through Sineglossa\u2019s services.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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2025 \u00b7 Collage for Corporate Values<\/a><\/em>, creation of Sineglossa\u2019s workshop using visionary collages from Mangrovia<\/strong> magazine and illustrated playing cards to help organisations reflect on their values, identity and future scenarios. With CNA Ancona<\/strong>, it led to a new Values Manifesto<\/strong> marking the association\u2019s 80th anniversary.<\/p>

SINCE 2018<\/strong> \u00b7 Elevator<\/a><\/em>, creation of Sineglossa\u2019s serious game for developing an innovative, sustainable business idea through the key elements of a business model: needs, target audiences, resources, partners and value proposition. Used in team training programmes and university Contamination Labs<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Within Sineglossa\u2019s European projects, Alessia Tripaldi develops and reviews the organisation\u2019s methodological contribution: competence frameworks<\/strong>, self-assessment tools<\/strong>, learning activities and programmes<\/strong>, developed within the respective partnerships and made available to people working in education and culture.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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STEAM and gender inclusion<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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SINCE 2025<\/strong> \u00b7 Her Tech<\/a><\/em>, methodology design for more inclusive AI education in the ICT sector. She designs the AI literacy programme for young people aged 11\u201314, grounded in life skills and a gender-by-design<\/strong> approach: archetypes as ways of understanding AI, female role models introduced through the problems they have addressed, and a paper journal accompanying the online programme. An Erasmus+<\/strong> project with Algebra University<\/strong>, XAMK<\/strong>, Almost There<\/strong>, All Digital<\/strong>, Griffith College<\/strong> and Rosenheim Technical University of Applied Sciences<\/strong>.<\/p>

2024\u20132026 \u00b7 NuGamers<\/a><\/em>, methodology design for more inclusive game development education, supporting girls and women in training and access to employment in the gaming industry. Resources: Women in Gaming Fact Sheet<\/a><\/em>, research on gender bias in gaming education; NuGamers Handbook<\/a><\/em>, supporting the development of gender-inclusive curricula; NuGamers Toolkit<\/a><\/em>, activities that can be replicated in classrooms and workshops. An Erasmus+<\/strong> project with Futuregames<\/strong>, All Digital<\/strong>, XAMK<\/strong> and Algebra University College<\/strong>.<\/p>

2022\u20132024 \u00b7 WeSTEAM<\/a><\/em>, design of Sineglossa\u2019s methodology based on the STEAM approach (STEM + Art)<\/strong>, strengthening women\u2019s role in science and making STEM disciplines more appealing to them. Resources: WeSTEAM Skills Framework<\/a><\/em>, including a European casebook of good practices and a comparison of artists\u2019 and scientists\u2019 creative processes; Soft Skills Exercises for Women Studying STEM<\/a><\/em>, Art Thinking activities for female university students. An Erasmus+<\/strong> project with Ars Electronica<\/strong>, Changemaker Education<\/strong> and Espronceda<\/strong>.<\/p>

2020\u20132022 \u00b7 STEAM Process<\/a><\/em>, development and review of Sineglossa\u2019s methodological contribution to STEAM: introducing the (A) in STEM processes<\/a><\/em> and the STEAM Process Handbook<\/a><\/em>, integrating artistic practices into STEM learning and research. An Erasmus+<\/strong> project with XAMK<\/strong>, Changemaker<\/strong>, Materahub<\/strong> and Conexiones improbables<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Sustainability and places<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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SINCE 2025<\/strong> \u00b7 Stories of the Sea<\/a><\/em>, methodology design for sustainability education in coastal communities, incorporating the Coastal Sustainability Competence Framework<\/a><\/em>. An Erasmus+<\/strong> project with Aalborg University<\/strong>, BioXcape<\/strong>, VisitL\u00e6s\u00f8<\/strong>, Stimmuli for Social Change<\/strong> and Coastal Union Germany<\/strong>.<\/p>

2024\u20132026 \u00b7 EDUS<\/a><\/em>, methodology design for education for sustainable development in vocational education and training: a competence framework<\/a><\/strong> and the EDUS Training Toolkit<\/a><\/em>. Together with Tommaso Sorichetti<\/strong>, she developed the toolkit\u2019s AI section, Tool 2 \u2013 Mixing the Ingredients<\/strong>: a guide to using AI to design educational content on sustainability, check and adapt its outputs, and use it sustainably. An Erasmus+<\/strong> project with Aalborg University<\/strong>, IC Geoss<\/strong>, Cybervolunteers Foundation<\/strong> and Einurd<\/strong>.<\/p>

2024\u20132026 \u00b7 A Discovery Guide for Recovery<\/em>, coordination of the learning methodology for the Creative Europe<\/strong> project, which produced Discovery Journey. A Compass for Navigating Stories<\/a><\/em>, supporting participatory storytelling about places.<\/p>

2024\u20132025 \u00b7 Echoes<\/a><\/em>, methodology design for a programme introducing adolescents to an ecosystemic perspective, with Elena Sofia Doria<\/strong> contributing to the teaching methodology, supported by Fondazione Cariverona<\/strong>.<\/p>

2023\u20132026 \u00b7 Green Gaming<\/a><\/em>, methodology design to develop green, digital and transferable skills through gaming and intercultural exchange. An Erasmus+ Virtual Exchange<\/strong> project coordinated by Lule\u00e5 University of Technology<\/strong>.<\/p>

2023\u20132024 \u00b7 BlueTour<\/em>, coordination of learning programmes within the Creative Europe<\/strong> project on coastal cultural tourism. Resource: BlueTour Handbook<\/a><\/em>.<\/p>

2022\u20132024 \u00b7 Post-Human Architect<\/a><\/em>, methodology design for sustainability and social innovation education in inland areas. Resource: Post Human Architect Training Toolkit<\/a><\/em>. An Erasmus+<\/strong> project with Changemaker Educations<\/strong>, Einurd<\/strong>, IC Geoss<\/strong>, Aalborg University<\/strong> and Farm Cultural Park<\/strong>.<\/p>

SINCE 2018<\/strong> \u00b7 Nonturismo<\/em>, co-creation of the community participation methodology involving residents in developing narratives about places and community guidebooks published by Ediciclo<\/strong>; contribution to the development and review of Nonturismo for Kids<\/a><\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Transferable skills, culture and AI<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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2020\u20132022 \u00b7 AI4Future \u2013 Governance Scenarios<\/a><\/em>, contribution to the development and review of the methodology on art, artificial intelligence and activism within the Creative Europe<\/strong> project coordinated by Sineglossa<\/strong>, with MEET<\/strong>, Espronceda<\/strong> and V2_ Lab for the Unstable Media<\/strong>, and Sardegna Teatro<\/strong> as an associate partner.<\/p>

2019\u20132022 \u00b7 Synopsis<\/a><\/em>, development and review of Sineglossa\u2019s methodological contribution to the Digital Fundraiser and Storyteller Skills Framework<\/a><\/em>. An Erasmus+<\/strong> project led by the Musei Reali di Torino<\/strong>.<\/p>

2019\u20132022 \u00b7 Resonant<\/a><\/em>, development and review of Sineglossa\u2019s methodological contribution to education in cultural and creative entrepreneurship. Resources: a report<\/a><\/strong> and learning activities. An Erasmus+<\/strong> project coordinated by Aarhus University<\/strong>.<\/p>

2019\u20132021 \u00b7 Creative Soft Skills<\/a><\/em>, development and review of Sineglossa\u2019s methodological contribution to the framework<\/a><\/strong>, training toolkit<\/a><\/strong> and Creative Soft Skills Circle<\/a><\/em>. An Erasmus+<\/strong> project coordinated by Rozet<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Lectures, modules and workshops on transferable skills and AI literacy, entrepreneurship and teamwork, storytelling and writing, within Sineglossa\u2019s programmes and for public institutions, universities and businesses.<\/p>

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AI and transferable skills<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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2025\u20132026 \u00b7 Rigenerativa<\/a><\/em>, teaching within the online generative AI training programme for the cultural sector, focusing on transferable skills for AI literacy.<\/p>

2025 \u00b7 Me and AI: Exploring Your Soft Skills<\/em>, a workshop using Jungian archetypes for self-assessment of the transferable skills needed for informed AI use, within Dicolab. Cultura al digitale \u2013 Emilia-Romagna and Marche Hub<\/strong>, Bologna. Official programme \u2014 in Italian<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Entrepreneurship, pitching and teams<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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2025 \u00b7 Rethinking Values<\/em>, design and facilitation of workshops on organisational values and identity using the Collage for Corporate Values<\/a><\/em> format, with Tommaso Sorichetti<\/strong>, for CNA Ancona<\/strong>, Ancona, and Deep Blue<\/strong>, Rome.<\/p>

2024 \u00b7 Be Your Hero: Archetypes and Soft Skills<\/em> and Fatal Flaw<\/em>, teaching within the eighth edition of the Contamination Lab<\/strong>, University of Urbino Carlo Bo<\/strong>, Urbino. Official programme \u2014 in Italian<\/a>.<\/p>

2023 \u00b7 Be Your Hero: Archetypes and Soft Skills<\/em> and Public Speaking<\/em>, teaching within the seventh edition of the Contamination Lab<\/strong>, University of Urbino Carlo Bo<\/strong>, Urbino. Official programme \u2014 in Italian<\/a> \u00b7 Public Speaking workshop report \u2014 in Italian<\/a>.<\/p>

2022 \u00b7 Be Your Hero<\/em>, two sessions on archetypes, transferable skills and awareness of one\u2019s abilities within the sixth edition of the Contamination Lab<\/strong>, University of Urbino Carlo Bo<\/strong>, Urbino. First session \u2014 in Italian<\/a> \u00b7 Second session \u2014 in Italian<\/a>.<\/p>

2021 \u00b7 Self-Awareness in Team Building<\/em>, a session on self-awareness, interpersonal skills and building teams, Contamination Lab<\/strong>, University of Urbino Carlo Bo<\/strong>, Urbino. Official report \u2014 in Italian<\/a>.<\/p>

2019 \u00b7 Amazon\u2019s Cabinet of Curiosities (Algorithmic Enquiry n.1)<\/a><\/em>, design and facilitation of the workshop on art and business with Emilio Vavarella<\/strong> and the participating companies, ArtVerona<\/strong>, Verona. Interview about the project and workshop \u2014 in Italian<\/a>.<\/p>

2018 \u00b7 Elevator<\/a><\/em>, facilitation of the business design workshop using the board game, with Federico Bomba<\/strong>, Contamination Lab<\/strong>, Marche Polytechnic University<\/strong>, Ancona. Programme edition \u2014 in Italian<\/a>.<\/p>

2018 \u00b7 Break-in Hackathon<\/em>, tutor in the training programme for artists and cultural professionals on innovation through artistic interventions, within the Erasmus+<\/strong> project Feelms<\/em> and the art+b=love(?)<\/strong> festival, Ancona. Overview and tutors \u2013 Link Campus University \u2014 in Italian<\/a>.<\/p>

2016 \u00b7 The Hero\u2019s Journey: Writing Your Business Story<\/em>, Fondazione Cassa di Risparmio di Jesi<\/strong>, Jesi.<\/p>

2016 \u00b7 Cultural Event Design<\/em>, module for Sida Group<\/strong>, Ancona.<\/p>

2016 \u00b7 Entrepreneurship<\/em>, module for Formaconf<\/strong>, Pesaro.<\/p>

2015 \u00b7 Start!<\/em>, pre-incubation workshop for cultural and creative businesses, University of Macerata<\/strong> and University of Urbino Carlo Bo<\/strong>, within CultLab<\/em>. Official programme \u2014 in Italian<\/a> \u00b7 Programme overview \u2014 in Italian<\/a>.<\/p>

2015 \u00b7 Let\u2019s Pitch!<\/em>, workshop on pitching techniques for Meccano<\/strong>, Fabriano, and Warehouse Coworking Factory<\/strong>, Rimini.<\/p>

2015 \u00b7 Digital Craftsmanship Open Day<\/em>, seminar on creative thinking for Confartigianato Imprese Ancona<\/strong>, Ancona.<\/p>

2013\u20132014 \u00b7 Jes!<\/em>, design and facilitation of the C.R.E.A.<\/em> creative thinking workshop and the pre-incubation service for cultural and creative businesses, Municipality of Jesi<\/strong>, Jesi.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Storytelling and writing<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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2024\u20132025 \u00b7 ArteVisione<\/em>, teaching writing and supporting audiovisual project development within the programme for artists working with moving images, organised by Careof<\/strong> and curated by Marta Bianchi<\/strong> and Giacomo Raffaelli<\/strong>, Milan. In 2024, also provided individual mentoring to the five shortlisted artists. 2024 edition<\/a> \u00b7 2025 programme<\/a><\/p>

2023 \u00b7 Post-Human Architect<\/a><\/em>, teaching within the Erasmus+ project\u2019s learning programme on sustainability and social innovation education in inland areas, Florence.<\/p>

2023 \u00b7 BlueTour<\/em>, facilitation of the international capacity-building workshop on community engagement, sense of place and the involvement of artists, with Tommaso Sorichetti<\/strong>, for cultural professionals from Ancona, Faro and Lesbos, Ancona. Sineglossa report<\/a>.<\/p>

2015\u20132016 \u00b7 Jes&Co.<\/em>, coordination of the training programme and delivery of the Interno Giorno<\/em> screenwriting workshop, Municipality of Jesi<\/strong>, Jesi.<\/p>

2015 \u00b7 Writing a Web Series<\/em>, workshop on screenwriting techniques for television and web series, CE.S.CO.T. Macerata<\/strong>, Macerata.<\/p>

2013\u20132014 \u00b7 Jes!<\/em>, design and facilitation of Web Series<\/em>, a workshop on screenwriting for television series, Municipality of Jesi<\/strong>, Jesi.<\/p>

2011\u20132014 \u00b7 Scuola di visioni del contemporaneo<\/em>, coordination of the training programme and teaching modules on dramaturgy, creative thinking, Fatal Flaw<\/em> and character development, Sineglossa<\/strong>, Ancona.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Presentations, talks and panel moderation on AI adoption in cultural heritage, research and education.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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2026 \u00b7 Generative AI: Opportunities and Challenges for Cultural Heritage Institutions<\/a><\/em>, panel discussion at the international conference Generative AI and Cultural Heritage<\/strong>, Ferdinando Rossi School of Advanced Studies, University of Turin<\/strong>, Turin. Contribution on AI Compass<\/strong>, with Simona Casonato<\/strong>, Rossana Damiano<\/strong>, Dianlin Huang<\/strong> and Deqiang Ji<\/strong>; moderated by Enrico Natale<\/strong>. Conference organised by Simone Natale<\/strong>, Deqiang Ji<\/strong>, Anthony Fung<\/strong> and Dianlin Huang<\/strong>, with support from the journal Global Media and China<\/em>.<\/p>

2026 \u00b7 A Fresh Look at AI in Cultural Heritage in Italy<\/em>, within the online event Generative AI for GLAM Institutions: Opportunity or Risk?<\/a><\/strong>, organised by the DARIAH-CH GLAM Working Group<\/strong>, ETH Library<\/strong> and infoclio.ch<\/strong>. Presentation of AI Compass<\/strong> with Simone Natale<\/strong>; contribution by Rafael Wampfler<\/strong> on Digital Einstein<\/strong>; moderated by Enrico Natale<\/strong>.<\/p>

2026 \u00b7 AI Compass for Cultural Heritage<\/em>, webinar by Sineglossa<\/strong> and the University of Turin<\/strong>. Presentation of the research with Simone Natale<\/strong> and Luca Befera<\/strong>; discussion with Anna Maria Marras<\/strong> (AVICOM<\/strong>), Emanuela Totaro<\/strong> (Fondazione Kain\u00f2n<\/strong>), Carlo Maiolini<\/strong> and Luca Scoz<\/strong> (MUSE Trento<\/strong>); moderated by Federico Bomba<\/strong>.<\/p>

2026 \u00b7 AI Compass for Cultural Heritage<\/em>, within the event How Digital Technologies and AI Are Changing Museums: National Perspectives and Experiences from the Marche Region<\/a><\/strong>, Dicolab. Cultura al digitale \u2013 Emilia-Romagna and Marche Hub<\/strong>, Pesaro. With Giovanna Cipolla<\/strong>, Concetta Ferrara<\/strong>, Agustina Micaela Medrano<\/strong>, Francesca Vitelli<\/strong> and Ramona Quattrini<\/strong>; under the patronage of ICOM Italia<\/strong>, Fondazione Marche Cultura<\/strong> and the Municipality of Pesaro<\/strong>. Event page in Italian.<\/p>

2026 \u00b7 Skills, Tools and Models: Lessons from the PNRR for the Digital Transformation of Culture<\/em>, coordination and moderation, ArtLab Bologna \u2013 Satellite digitale<\/strong>, Bologna. Working session with Simona Martini<\/strong> (Fondazione Fitzcarraldo<\/strong>), Paolo Montemurro<\/strong> and Becky Riches<\/strong> (Materahub<\/strong>), promoted by Fondazione Fitzcarraldo<\/strong> and ART-ER<\/strong>.<\/p>

2025 \u00b7 Presentation of the Courses Offered by the Emilia-Romagna and Marche Hub of Dicolab. Cultura al digitale<\/em>, Ancona. Presentation of Sineglossa\u2019s training programme<\/strong> at the Hub\u2019s launch event, with G-Lab<\/strong>, Fondazione Golinelli<\/strong> and BAM! Strategie Culturali<\/strong>, under the patronage of the Municipality of Ancona<\/strong>.<\/p>

2024 \u00b7 Generativa for the Cultural and Creative Sectors: Stakeholder Roundtable<\/a><\/em>, Naples and online. Presentation of preliminary research and focus group findings with Johanna Monti<\/strong> (University of Naples L\u2019Orientale<\/strong>); introduction by Paolo Montemurro<\/strong> (Materahub<\/strong>). Meeting with Generativa stakeholders, with Basilicata Creativa<\/strong> and Tlon<\/strong>. Event page in Italian.<\/p>

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2023 \u00b7 The Horror Podcast<\/a><\/em>, writer for the Chora Media<\/strong> production, narrated by Paolo Agrati<\/strong>, with direction and sound design by Luca Micheli<\/strong>.<\/p>

2020 \u00b7 Gli scomparsi<\/a><\/em>, novel, Rizzoli<\/strong>.<\/p>

2014 \u00b7 Notre Dame du Mal<\/em>, novel, Delos Digital<\/strong> and Edizioni BMS<\/strong>.<\/p>

2014 \u00b7 La Danza<\/em>, short story in the anthology Roma a mano armata<\/em>, Novecento Editore<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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