{"id":35686,"date":"2026-10-26T09:19:26","date_gmt":"2026-10-26T09:19:26","guid":{"rendered":"https:\/\/sineglossa.it\/?post_type=team&p=35686"},"modified":"2026-10-27T12:13:35","modified_gmt":"2026-10-27T12:13:35","slug":"federico-bomba","status":"publish","type":"team","link":"https:\/\/sineglossa.it\/en\/team\/federico-bomba\/","title":{"rendered":"Federico Bomba"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Curator<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

Art and artificial intelligence<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

Biennale Tecnologia 2026, the AI Pillar of Torino 2033, and the 2023 MAXXI Bvlgari Prize for And We Thought<\/em><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Researcher<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

Entangled authorship and co-creation with AI<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

PhD in Computer Science (Human\u2013Computer Interaction), awarded with distinction, Free University of Bozen-Bolzano, 2026<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Educator<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

Generative AI for culture<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

Director of Rigenerativa, Degenerativa, Generativa and Generative Heritage.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Areas of work<\/h2>\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The themes explored through his research, curatorial practice and public talks, alongside the projects in which he has developed them.<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Entangled authorship: authorship and agency in AI art<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Who is the author of an artwork co-created with a generative system? This question is central to his doctoral thesis and the conference Che cos\u2019\u00e8 un autore<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead the article<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Co-creation between artists and AI<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Ways of working between artists and generative systems, tested in works such as And We Thought<\/em> by Roberto Fassone.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead the article<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Curatorship and AI<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

How artificial intelligence is changing curatorial practice, explored through exhibitions such as Prompting the Real<\/em> and Framing Problems<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tView all the curatorships<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t

AI for museums, archives and libraries<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

How cultural institutions can adopt AI in an informed and responsible way: the focus of the AI Compass<\/em> research.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tRead the research<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t

AI, cultural cooperation and places<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

AI as a tool for cultural organisations and place-based regeneration, at the heart of the Rigenerativa<\/em> programme.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tExplore the project<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t

AI education for the cultural sector<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Programmes for cultural professionals and artists, including Generativa<\/em> Academy<\/em> and Degenerativa<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tView all the training programmes<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t

Research <\/h2><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In 2026, Federico Bomba earned a PhD in Computer Science with honours<\/strong> from the Free University of Bozen-Bolzano, specialising in Human\u2013Computer Interaction. His thesis, Agency and Authorship in AI Art<\/em>, was supervised by Antonella De Angeli and Elisa Giaccardi. His research explores co-creation between artists and AI<\/strong>, shared authorship between people and generative systems\u2014which he describes as entangled authorship<\/strong>\u2014computational creativity, and AI education in the cultural sector.<\/p>

He has held research positions at the University of Bologna and the Free University of Bozen-Bolzano. In 2025, he was invited to the Dagstuhl Seminar 25442, Augmenting Human Creativity with AI<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Journal articles<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2025<\/strong> \u00b7 Agency and authorship in AI art: Transformational practices for epistemic troubles<\/strong>.<\/em> International Journal of Human-Computer Studies, 205. With A. De Angeli. DOI<\/a><\/p>

2024<\/strong> \u00b7 The Choreographer-Performer Continuum: A Diffraction Tool to Illuminate Authorship in More Than Human Co-Performances<\/strong>.<\/em> ACM Transactions on Computer-Human Interaction, 31(6). With M. Men\u00e9ndez-Blanco, P. Grigis, M. Cremaschi and A. De Angeli. DOI<\/a> \u00b7 Open-access version<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Conference and workshop proceedings<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2023 \u00b7 And We Thought. Art Through, With or For Generative AI<\/strong>.<\/em> GenAICHI Workshop, ACM CHI 2023. Workshop<\/a>
2024 \u00b7 The enchantment of truth: a call for artists to tackle conspiracy with wonder.<\/em> Proceedings of the third AI, Cultural Heritage and Art<\/em> workshop<\/strong>, CINECA. PDF<\/a>
2023 \u00b7 FOOD DATA DIGESTION: A Multidisciplinary Methodology Between Art, Culture and Artificial Intelligence<\/em><\/strong>, proceedings of the AI e Beni Culturali. Tra ricerca e creativit\u00e0<\/em> workshop, CINECA Visit Lab<\/strong>, pp. 35\u201342. With A. Tripaldi<\/strong>. DOI<\/a> \u00b7 PDF<\/a>
2023 \u00b7 A Flicker of Inspiration Within Boundaries: Insights About Creative Collaboration Between Playwrights and Generative AIs<\/em> <\/strong>(third author). Integrating AI in Human-Human Collaborative Ideation<\/em> workshop, CHI 2023, Hamburg.
2022 \u00b7 Artificial Intelligence for Future.<\/em><\/strong> ISEA 2022, International Symposium on Electronic Art, Barcelona.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Books and reports<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2026<\/strong> \u00b7 Culture Codes Democracy.<\/em><\/strong> Edited by Ars Electronica, Hatje Cantz. Contributor. PDF<\/a>
2025<\/strong> \u00b7 La complessit\u00e0 dell\u2019arte, l\u2019arte della complessit\u00e0<\/strong>.<\/em> Krisis Publishing. Contributor. Book details<\/a>
2022<\/strong> \u00b7 AI4Future \u2013 Governance Scenarios.<\/em><\/strong> Sineglossa. Download the PDF<\/a>
2019<\/strong> \u00b7 Il ritorno a casa degli Ulissi. Le professioni al tempo della rigenerazione urbana.<\/em><\/strong> Economia della Cultura, 4\/2019. Co-edited with L. Bizzarri.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t

Articles and essays<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2025 \u00b7 Using Wonder to Understand Artificial Intelligence: The Next Real.<\/strong> Pandora Rivista<\/em>. Read<\/a>
2024 \u00b7 Art in the Cage of Digital Reproduction.<\/strong> Contribution to the collective project of the same name exploring intelligence and art as a common good, FORTUNE<\/em>. Read<\/a>
2023 \u00b7 The Cultural and Creative Revolution of Generative Artificial Intelligence.<\/strong> Agenzia Cult<\/em>. Read<\/a>
2022 \u00b7 Manuel Cirauqui and S+T+ARTS Project. An Interview by Kilowatt and Sineglossa.<\/strong> Diid \u2013 Disegno Industriale<\/em>, 74. DOI<\/a>
2022 \u00b7 What Role Can Italy Play in the Artificial Intelligence Challenge?<\/strong> Fortune Italia<\/em>.
2022 \u00b7 The Role of Public Art in an Age of Pervasive Technology.<\/strong> cheFare<\/em>. Read<\/a>
2021 \u00b7 A New Renaissance, Beyond the Rhetoric.<\/strong> TPI The Post Internazionale<\/em>.
2021 \u00b7 Nonturismo: Unexplored Detours Told by Local Residents.<\/strong> Culture et D\u00e9mocratie<\/em>. Read<\/a>
2021 \u00b7 Serra Madre: A New Ecosystem Connecting Art, Research and Business in Bologna.<\/strong> Agenzia CULT<\/em>.
2021 \u00b7 What would Gropius do a century later? Network conversations on the New European Bauhaus.<\/strong> Conexiones Improbables<\/em>.
2020 \u00b7 New Hybrid Ecosystems for Innovation.<\/strong> AGCULT<\/em>. Read<\/a>
2020 \u00b7 Interview on Datapoiesis.<\/strong> Exibart<\/em>.
2019 \u00b7 Interview with Biancoshock.<\/strong> Exibart<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

\n\t\t\t\t\n\t\t\t\t\t

Curatorial work <\/h2><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Exhibitions, artworks and public programmes exploring art and artificial intelligence<\/strong>, curated in Italy and across Europe.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

ONGOING<\/strong> \u00b7 I\u2019ve Seen the Future<\/em> by Roberto Fassone<\/strong>, artistic and scientific curatorship; Italian Council<\/strong>, produced by Sineglossa<\/strong>; intended for the MART\u2019s permanent collection<\/strong>.
2026<\/strong> \u00b7 AI Pillar \u2013 Torino 2033<\/em>, curator for Turin\u2019s bid to become European Capital of Culture 2033<\/strong>.
2026<\/strong> \u00b7 Framing Problems<\/a><\/em>, Biennale Tecnologia 2026<\/strong> (Politecnico di Torino<\/strong>) and Fondazione Sandretto Re Rebaudengo<\/strong>, Turin; works by Hito Steyerl<\/strong>, Diego Marcon<\/strong>, Ian Cheng<\/strong>, Xin Liu<\/strong>, Martyna Marciniak<\/strong>, Roberto Fassone<\/strong> and Katja Novitskova<\/strong>.
2026 \u00b7 Dati Sensibili<\/em><\/a>, Biennale Tecnologia 2026<\/strong>, Museo Nazionale del Risorgimento Italiano<\/strong>, Turin, in collaboration with Associazione Archivio Storico Olivetti<\/strong>. Starting from the idea that, before becoming datasets, data were human experience, work and decisions, the exhibition brought together museum, archive, TIM Enterprise<\/strong>, Politecnico di Torino<\/strong> and the journal Mangrovia<\/strong> around OLO<\/em>, a conversational agent based on the archive\u2019s materials, whose character, tone and mode of interaction were designed by Sineglossa<\/strong> to avoid the oracle effect: an interlocutor that uses documents to raise questions and suggest connections with the present
2025<\/strong> \u00b7 Prompting the Real<\/a><\/em>, AlmaAI<\/strong>, Cineca<\/strong> and INFN<\/strong>, Museo di Palazzo Poggi<\/strong>, Bologna; with Jerry Galle<\/strong>, Roberto Pugliese<\/strong>, Alexey Yurenev<\/strong>, Sarah Ciston<\/strong>, Silvia Galletti<\/strong>, Michele Cremaschi<\/strong>, Francesco Frisari<\/strong> and Damien Roach<\/strong>.
2025<\/strong> \u00b7 AI Manifesta<\/a><\/em>, Fondazione Gramsci<\/strong>, Bologna, with Francesco D\u2019Isa<\/strong>.
2025<\/strong> \u00b7 The Models<\/a><\/em> by dmstfctn<\/strong>, Tecnopolo Manifattura Data Valley Hub<\/strong>, Bologna, in collaboration with Ars Electronica<\/strong>, Cineca<\/strong>, FBK<\/strong> and the Emilia-Romagna Region<\/strong>.
2024\u20132025<\/strong> \u00b7 The Next Real<\/a><\/em>, exhibitions, talks and workshops on art, AI and society, Bologna.
2024<\/strong> \u00b7 Argo<\/a><\/em>, solo exhibition by Paolo Bufalini<\/strong>, Palazzo Ducale<\/strong>, Genoa; SIAE<\/strong> and the Italian Ministry of Culture<\/strong> (Per Chi Crea<\/em>).
2024<\/strong> \u00b7 Pigmalione Sci-Fi #2. Profezie che si autoavverano<\/a><\/em>, ROBOT Festival<\/strong>, Bologna, with Emanuele Rodol\u00e0<\/strong>, Alessandro Vietti<\/strong> and Nicoletta Vallorani<\/strong>.
2024<\/strong> \u00b7 When They See Us<\/a><\/em>, exhibition on AI and biometric surveillance, Biblioteca Salaborsa<\/strong>, Bologna, with Dries Depoorter<\/strong> and Tactical Tech<\/strong>.
2024<\/strong> \u00b7 Che cos\u2019\u00e8 un autore<\/a><\/em>, conference on authorship and generative AI, Biblioteca Salaborsa<\/strong>, Bologna, with Kamilia Kard<\/strong>, Francesco D\u2019Isa<\/strong>, Roberto Fassone<\/strong>, Wu Ming 2<\/strong>, Francesca Lagioia<\/strong>, Maurizio Lana<\/strong> and Giovanni Leghissa<\/strong>.
2024<\/strong> \u00b7 Pigmalione Sci-Fi #1. Profezie che si autoavverano<\/em>, Festival del Pensare Contemporaneo<\/strong>, Piacenza, with Catalina Curceanu<\/strong>, Enrico Giovannini<\/strong>, Francesca Cavallero<\/strong> and Giorgiomaria Cornelio<\/strong>.
2023<\/strong> \u00b7 Cibernetica e fantasmi<\/a><\/em>, exhibition on poetry written with, about and by AI, Museo Civico Villa Colloredo Mels<\/strong>, Recanati; with Sasha Stiles<\/strong>, Nanni Balestrini<\/strong>, Werner Herzog<\/strong>, Fabrizio Venerandi<\/strong>, Francesca Gironi<\/strong>, Paolo Agrati<\/strong> and Ross Goodwin<\/strong>.
2023<\/strong> \u00b7 And We Thought V<\/a><\/em> by Roberto Fassone<\/strong>, Villa Reale<\/strong>, Monza.
2023<\/strong> \u00b7 Scarto<\/a><\/em> by Masako Matsushita<\/strong>, dance and AI performance, OperaEstate Festival<\/strong>, Bassano del Grappa.
2023<\/strong> \u00b7 Metabolo<\/a><\/em> by Valerie Tameu<\/strong>, dance and AI performance, Ars Electronica Festival<\/strong>, Linz.
2023<\/strong> \u00b7 ISOTTA \u2013 Intelligent System for Organic Tweeting and Thoughtful Artistry<\/a><\/em> by Michele Cremaschi<\/strong>, Ars Electronica Festival<\/strong>, Linz.
2023<\/strong> \u00b7 And We Thought II\/III<\/a><\/em> by Roberto Fassone<\/strong>, Art City Bologna<\/strong>; 2023 MAXXI Bvlgari Prize for Digital Art<\/strong>.
2022<\/strong> \u00b7 Frontignano Art Walks<\/a><\/em>, Frontignano di Ussita, with orizzontale<\/strong>.
2022<\/strong> \u00b7 AI4Future Final Exhibition<\/a><\/em>, MEET Digital Culture Center<\/strong>, Milan, with Luca Pozzi<\/strong>, Nino Basilashvili<\/strong>, Bernat Cun\u00ec<\/strong> and Chunju Yu<\/strong>.
2022<\/strong> \u00b7 Biofilie<\/a><\/em>, solo exhibition by Giulia Tomasello<\/strong>, Mole Vanvitelliana<\/strong>, Ancona.
2022<\/strong> \u00b7 art+b=love(?) Festival<\/a><\/em>, fifth edition, Mole Vanvitelliana<\/strong>, Ancona, with Umanesimo Artificiale<\/strong> (Filippo Rosati<\/strong> and Ksawery Kirklewski<\/strong>), Giulia Tomasello<\/strong>, Francesca Gironi<\/strong> and Daniele Fabris<\/strong>.
2022<\/strong> \u00b7 And We Thought | Food Data Digestion<\/a><\/em> by Roberto Fassone<\/strong>, Play with Food Festival<\/strong>, Libreria Bodoni<\/strong> and Combo<\/strong>, Turin.
2021<\/strong> \u00b7 Solo exhibition by <\/a>Marco Barotti<\/a><\/strong> (co-curator), Resilienze Festival<\/strong>, Serre dei Giardini Margherita<\/strong>, Bologna.
2021<\/strong> \u00b7 Data Tour d\u2019Italie<\/a><\/em>, Ars Electronica Garden<\/strong>, Linz, with Filippo Rosati<\/strong> (Umanesimo Artificiale<\/strong>), Marco Barotti<\/strong>, NEUNAU<\/strong>, Giovanni Muzio<\/strong>, Emanuele Balia<\/strong> and Marcello Cualbu<\/strong>.
2021<\/strong> \u00b7 NEAR + FUTURES + QUASI + WORLDS<\/a><\/em> (advisor), STARTS exhibition<\/strong>, Biblioteca Salaborsa<\/strong>, Bologna.
2021<\/strong> \u00b7 Soniche Visioni Olografiche<\/a><\/em> by Roberto Pugliese<\/strong>, with Raffaele Deluca<\/strong>, Museo della Memoria e della Pace<\/strong>, Salerno.
2020<\/strong> \u00b7 AI or the philosophical stone \u2013 IAQOS Ancona<\/a><\/em>, with Hannes Egger<\/strong>, Incipit Fest<\/strong>, Ancona; MiBACT<\/strong> (Biblioteca Casa di Quartiere<\/em>).
2020<\/strong> \u00b7 Datapoiesis<\/a><\/em> (artistic direction), with Maison 22<\/strong>, Salvatore Iaconesi<\/strong> and Oriana Persico<\/strong>, Art City Bologna<\/strong>; Compagnia di San Paolo<\/strong> (ORA!<\/em>); acquired by the Farnesina Collection<\/strong>.
2019<\/strong> \u00b7 Amazon\u2019s Cabinet of Curiosities (Algorithmic Enquiry n.1)<\/a><\/em> by Emilio Vavarella<\/strong>, ArtVerona<\/strong>, with Brazzale<\/strong>, Calzedonia<\/strong>, Lavagnoli Marmi<\/strong>, Veronesi Holding<\/strong> and other companies.
2019<\/strong> \u00b7 IAQOS<\/a><\/em> by Salvatore Iaconesi<\/strong> and Oriana Persico<\/strong>, MiBAC<\/strong>, Directorate-General for Contemporary Art and Architecture and Urban Peripheries (periferiA Intelligente<\/em>).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

\n\t\t\t\t\n\t\t\t\t\t

Training programmes <\/h2><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Scientific direction and co-direction of programmes on generative AI for the cultural sector,<\/strong> aimed at cultural professionals, artists and cultural regeneration centres.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

2025\u20132026 \u00b7 Rigenerativa. Formazione alla generative AI per la rigenerazione dei luoghi<\/a><\/em>, co-director; promoted by Fondo per la Repubblica Digitale<\/strong>, with the Lo Stato dei Luoghi<\/strong> network and 14 cultural organisations<\/strong>; training partners: Future Education Modena<\/strong> and Alma AI \u2013 University of Bologna<\/strong>. Focus: using AI to strengthen centres for culture-led regeneration.
2026-2027 \u00b7 Degenerativa<\/a><\/em>, co-director; Bologna edition supported by SIAE<\/strong> and the Italian Ministry of Culture<\/strong> (Per Chi Crea), Catanzaro edition within the Catanzaro Integrated Development Strategy<\/strong> (PR Calabria FESR FSE+ 2021\u20132027<\/strong>). Focus: generative AI for artists.
2025-2026 \u00b7 Dicolab. Cultura al digitale \u2013 HUB Emilia-Romagna e Marche<\/a><\/em>, co-director; promoted by Scuola nazionale del patrimonio e delle attivit\u00e0 culturali<\/strong> (Italian Ministry of Culture<\/strong>), with G-Lab<\/strong>, Fondazione Golinelli<\/strong> and BAM!<\/strong>. Focus: AI for cultural heritage.
2024-2026 \u00b7 Generativa Academy<\/a><\/em>, director; Italian Ministry of Culture<\/strong>, with Tlon<\/strong>, Matera Hub<\/strong>, the University of Naples L\u2019Orientale<\/strong> and Basilicata Creativa<\/strong>. Focus: generative AI for Italy\u2019s cultural sector.
2025<\/strong> \u00b7 Generative Heritage<\/a><\/em>, co-director; with Fondazione Fitzcarraldo<\/strong>, supported by Compagnia di San Paolo<\/strong>. Focus: generative AI for the cultural and creative sectors, artists and digital curators.
2021<\/strong> \u00b7 IAQOS Bolzano<\/a><\/em>, tool and campus developed within the make it visible 4<\/em> project; Youth Policy Office of the Autonomous Province of Bolzano<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

\n\t\t\t\t\n\t\t\t\t\t

Teaching <\/h2><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Lectures and seminar series at universities, academies and training programmes on curating, art and design with artificial intelligence, and on its cultural and political implications.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

2026<\/strong> \u00b7 AI Curatorship<\/a><\/em>, lecture for Dicolab. Cultura al digitale<\/strong>, HUB Emilia-Romagna e Marche<\/strong>, Opificio Golinelli<\/strong>, Bologna; PNRR Cultura 4.0<\/strong> programme, Italian Ministry of Culture \u2013 Digital Library<\/strong>.
2024\u20132025<\/strong> \u00b7 A Digital Framework #3<\/em>, a series of four sessions on technology, art and design, Academy of Fine Arts of Bologna<\/strong>.
2024<\/strong> \u00b7 Guest lecture for Elisa Giaccardi\u2019s<\/strong> More-Than-Human AI<\/em> course, Master\u2019s degree in Design, Politecnico di Milano<\/strong>, in collaboration with the Design Intelligences Institute<\/strong>.
2024<\/strong> \u00b7 Guest lecture for the course The Political and Cultural Imaginaries of Digital Technologies<\/em>, at the invitation of Maurilio Pirone<\/strong>, University of Bologna<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

\n\t\t\t\t\n\t\t\t\t\t

Talks <\/h2><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Talks, panels and moderations since 2019, in Italy and internationally<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t

24 OCTOBER 2026<\/strong> \u00b7 Cultural Experiences for Navigating the Complexity of Artificial Intelligence<\/a><\/em>, Summit Architecta 2026<\/strong>, organised by Architecta \u2013 Societ\u00e0 Italiana di Architettura dell\u2019Informazione<\/strong>, Turin<\/strong>. A third way between alarmism and uncritical enthusiasm, through the exhibitions Cybernetic and Ghosts<\/a><\/em> and Dati Sensibili<\/em>, featuring the conversational agent OLO<\/em>.<\/p>

16 OCTOBER 2026<\/strong> \u00b7 Generative AI and Cultural Cooperation<\/a><\/em>, Life on Mars 2026 \u2013 Fairness, Futures and International Cultural Cooperation<\/strong>, organised by Liv.in.g<\/strong>, Rome<\/strong>. Sineglossa<\/strong>\u2019s approach to AI for the cultural sector, drawing on Rigenerativa<\/em> and the co-design of an AI tool with thirty cultural organisations.<\/p>

3 OCTOBER 2026<\/strong> \u00b7 Cartoline da Bakota<\/a><\/em>, Internazionale a Ferrara<\/strong>, Ferrara<\/strong>. Presentation of the guide Bakota. A Portal to Ukraine<\/em>, produced within A Discovery Guide for Recovery<\/em> (Creative Europe<\/strong>), coordinated by Sineglossa<\/strong>; with Robin Alysha Clemens<\/strong>, Anna Romandash<\/strong> and Wu Ming 2<\/strong>, moderated by Andrea Pipino<\/strong>.<\/p>

3 OCTOBER 2026<\/strong> \u00b7 Silence behind the frontlines<\/a><\/em>, Internazionale a Ferrara<\/strong>, Ferrara<\/strong>. Presentation of the podcast co-written with Beatrice Petrella<\/strong> within A Discovery Guide for Recovery<\/em>; in conversation with Jonathan Zenti<\/strong>.<\/p>

1 OCTOBER 2026<\/strong> \u00b7 The Conditions for Independence: Generative AI and Mediterranean Knowledge<\/a><\/em> (moderator), Fondazione Matera Basilicata 2019<\/strong> and Anna Lindh Foundation<\/strong>, Matera 2026 Mediterranean Capital of Culture and Dialogue<\/strong>, Matera<\/strong>; with Sari Hanafi<\/strong>, Valerio Calabrese<\/strong>, Yousef Torman<\/strong>, Dorte Riemenschneider<\/strong> and Emily Choynowski<\/strong>.<\/p>

18 SEPTEMBER 2026<\/strong> \u00b7 Progettare cultura, sperimentare tecnologie: pratiche a confronto per nuovi territori culturali<\/a><\/em> (roundtable), Consulta delle Fondazioni del Triveneto<\/strong>, Verona<\/strong>; with Serena Bertolucci<\/strong>, Cinzia Cond\u00f2<\/strong> and Anna Brugnara<\/strong>, following a keynote by Giovanna Melandri<\/strong>.<\/p>

3\u20134 SEPTEMBER 2026<\/strong> \u00b7 Between Creativity and Technology: Teaching Art and Design in the Age of Artificial Intelligence<\/a><\/em> (panel), Creative Forum 2026<\/strong>, Misk Art Institute<\/strong>, Riyadh<\/strong>; with Gizeh Rangel<\/strong> and Areej Alwabel<\/strong>, moderated by Nuha AlSharif<\/strong>. Presentation of Generativa<\/em> and its approach to AI education.<\/p>

2026<\/strong> \u00b7 Opening talk for the exhibition Framing Problems<\/a><\/em>, Fondazione Sandretto Re Rebaudengo<\/strong>, Turin<\/strong>; with Patrizia Sandretto Re Rebaudengo<\/strong>, Guido Saracco<\/strong>, Xin Liu<\/strong>, Diego Marcon<\/strong>, Massimiliano Gioni<\/strong>, Hans Ulrich Obrist<\/strong> and Bernardo Follini<\/strong>.<\/p>

2026<\/strong> \u00b7 Sensitive Data: From the Archive to the Production of Contemporary Knowledge<\/a><\/em>, Museo Nazionale del Risorgimento Italiano<\/strong>, Turin<\/strong>; with Elisa Alessio<\/strong> (TIM Enterprise<\/strong>), Alessandro Bollo<\/strong>, Gaetano Adolfo Maria di Tondo<\/strong> (Olivetti<\/strong>, TIM Enterprise<\/strong>) and Anna Maria Marras<\/strong> (AVICOM<\/strong>).<\/p>

2026<\/strong> \u00b7 AI Factory and the Cultural Ecosystem: Designing Infrastructure to Support Artistic and Creative Production<\/a><\/em> (concept and moderation), ARTLAB Bologna 2026<\/strong>, Bologna<\/strong>, curated by ART-ER<\/strong>, promoted by Fondazione Fitzcarraldo<\/strong>; with Pier Luigi Sacco<\/strong> and others.<\/p>

2026<\/strong> \u00b7 AI Compass for Cultural Heritage<\/a><\/em> (webinar, moderator), presentation of research by Sineglossa<\/strong> and the University of Turin<\/strong> on the informed adoption of AI in museums, libraries and archives; with Simone Natale<\/strong>, Anna Maria Marras<\/strong> (AVICOM<\/strong>), Emanuela Totaro<\/strong> (Fondazione Kain\u00f2n<\/strong>), Carlo Maiolini<\/strong> and Luca Scoz<\/strong> (MUSE Trento<\/strong>).<\/p>

2025<\/strong> \u00b7 Creating Rapid Response Learning Environments<\/a><\/em> (panel), Ars Electronica Festival 2025<\/strong>, Linz<\/strong>; with Dobrivoje Lale Eric<\/strong>, Pedro Russo<\/strong> and Victoria Vesna<\/strong>.<\/p>

2025<\/strong> \u00b7 Presentation of the paper The Choreographer-Performer Continuum: A Diffraction Tool to Illuminate Authorship in More Than Human Co-Performances<\/em>, ACM CHI 2025, Conference on Human Factors in Computing Systems<\/strong>, Yokohama<\/strong>. Paper: DOI<\/a> \u00b7 Open-access version<\/a>.<\/p>

2025<\/strong> \u00b7 Prompting the Real \u2013 Meet the artists<\/a><\/em>, Museo di Palazzo Poggi<\/strong>, Bologna<\/strong>; with Jerry Galle<\/strong>, Roberto Pugliese<\/strong>, Alexey Yurenev<\/strong>, Sarah Ciston<\/strong>, Silvia Galletti<\/strong>, Michele Cremaschi<\/strong>, Francesco Frisari<\/strong> and Damien Roach<\/strong>.<\/p>

2025<\/strong> \u00b7 Opening talk for Prompting the Real<\/em>, Museo di Palazzo Poggi<\/strong>, Bologna<\/strong>; with Giovanni Molari<\/strong> (Rector of the University of Bologna<\/strong>), Giuliana Benvenuti<\/strong>, Michela Milano<\/strong> (Alma AI<\/strong>) and Lucas Evers<\/strong> (Waag<\/strong>).<\/p>

2025<\/strong> \u00b7 Opening talk for The Models<\/a><\/em>, Onkaos<\/strong>, SOLO CSV<\/strong>, Madrid<\/strong>; public conversation with dmstfctn<\/strong>.<\/p>

2025<\/strong> \u00b7 The Never Never<\/em>, Ultima Citt\u00e0<\/strong> festival, Frontino<\/strong>; with Francesco D\u2019Isa<\/strong>.<\/p>

2025<\/strong> \u00b7 AI, Trust & Believe<\/a><\/em> (moderator), Gluon<\/strong>, New Metabolism Symposium, Brussels<\/strong>, within European Digital Deal<\/strong>; with Martyna Marciniak<\/strong>, Pierre-Christophe Gam<\/strong> and dmstfctn<\/strong>.<\/p>

OCTOBER 2024<\/strong> \u00b7 Digital Art: Case Studies of Innovative Experiences<\/a><\/em>, Festival Economia della Cultura<\/strong>, Zagarolo<\/strong>, for Lazio Innova<\/strong>; with Simone Arcagni<\/strong>, Barbara Carfagna<\/strong> and Sofia Pescarin<\/strong>.<\/p>

OCTOBER 2024<\/strong> \u00b7 Presentation of Tecnologia della Rivoluzione<\/a><\/em> (Il Saggiatore<\/strong>), Festival del Presente<\/strong>, Pandora Rivista<\/strong>, Bologna<\/strong>; with Diletta Huyskes<\/strong>.<\/p>

OCTOBER 2024<\/strong> \u00b7 AI & Cultural Heritage<\/em> (panel), RomaEuropa Festival<\/strong>, Digitalive \u2013 ADV Arti Digitali dal Vivo<\/strong>, Rome<\/strong>.<\/p>

OCTOBER 2024<\/strong> \u00b7 Pigmalione Sci-Fi #2: Self-Fulfilling Prophecies<\/a><\/em>, ROBOT Learn<\/strong>, Bologna<\/strong>; with Nicoletta Vallorani<\/strong>, Emanuele Rodol\u00e0<\/strong> and Alessandro Vietti<\/strong>.<\/p>

SEPTEMBER 2024<\/strong> \u00b7 AI & Poetry<\/em>, Foqus Fondazione Quartieri Spagnoli<\/strong>, Naples<\/strong>, for Metalab di Infiniti Mondi<\/strong>; with Maria Grazia Falciatore<\/strong>, Sergio Avolio<\/strong>, Giuseppe Gaeta<\/strong>, Simone Arcagni<\/strong> and Carla Granieri<\/strong>.<\/p>

SEPTEMBER 2024<\/strong> \u00b7 Generative AI for Everyday Life and Academic Research<\/a><\/em> (roundtable), NETIAS Debate<\/strong>, University of Bologna<\/strong>, Bologna<\/strong>; with Paolo Torroni<\/strong>, Anita Lavorgna<\/strong>, Corrado Caruso<\/strong>, Roberta Calegari<\/strong>, Allegra De Filippo<\/strong>, Giulia Sudano<\/strong> and Martina Pennisi<\/strong>.<\/p>

SEPTEMBER 2024<\/strong> \u00b7 Art, Creativity and Artificial Intelligences<\/a><\/em> (conversation), OBLIQUA<\/strong>, Bologna Innovation Square<\/strong>, Bologna<\/strong>; with Francesco D\u2019Isa<\/strong>.<\/p>

SEPTEMBER 2024<\/strong> \u00b7 Opening talk for When They See Us<\/a><\/em>, Bologna<\/strong>; with Dries Depoorter<\/strong>, The Good Lobby<\/strong>, info.nodes<\/strong> and Hermes Digital Center<\/strong>.<\/p>

SEPTEMBER 2024<\/strong> \u00b7 Pigmalione Sci-Fi: Self-Fulfilling Prophecies<\/a><\/em>, Festival del Pensare Contemporaneo<\/strong>, Piacenza<\/strong>; with Enrico Giovannini<\/strong>, Catalina Curceanu<\/strong>, Francesca Cavallero<\/strong> and Giorgiomaria Cornelio<\/strong>.<\/p>

MAY 2024<\/strong> \u00b7 Exploring the Relationships Between AI & Society<\/em> (workshop and panel), Bologna<\/strong>, for IPSA<\/strong>; with Ivana Pais<\/strong> and Michele Mol\u00e8<\/strong>.<\/p>

MAY 2024<\/strong> \u00b7 Technology, Democracy and Data<\/a><\/em>, Reclaim The Tech Festival<\/strong>, Bologna<\/strong>.<\/p>

2024<\/strong> \u00b7 AI Chronicles: A Romantic History of Artificial Intelligence<\/a><\/em>, Scuola Belleville<\/strong>, Milan<\/strong>; with Andrea Cristallini<\/strong>, Diletta Huyskes<\/strong> and Ruben Spini<\/strong>.<\/p>

2024<\/strong> \u00b7 (MIS)UNDERSTOOD! What Natural and Artificial Language Have in Common and What Sets Them Apart<\/em>, Festival del Pensare Contemporaneo<\/strong>, Piacenza<\/strong>; with Gino Roncaglia<\/strong>, Simone Arcagni<\/strong> and Valentina Bambini<\/strong>.<\/p>

2024<\/strong> \u00b7 Pratolungo Unconference<\/em>, at the invitation of Alessandro Fusacchia<\/strong>.<\/p>

DECEMBER 2023<\/strong> \u00b7 Opening talk for Cybernetic and Ghosts \u2013 AI & Poetry<\/a><\/em>, Recanati<\/strong>; with Sasha Stiles<\/strong> and Valerio Cuccaroni<\/strong>.<\/p>

DECEMBER 2023<\/strong> \u00b7 AI For the People<\/a><\/em>, Bologna<\/strong>, for the Into the Black Box<\/strong> research group; with Galileo Morandi<\/strong>, Matteo Pasquinelli<\/strong>, Michela Milano<\/strong> and Raffaele Tavarone<\/strong>.<\/p>

NOVEMBER 2023<\/strong> \u00b7 Exploring the intersection between art and algorithms<\/a><\/em> (moderator), Mudam Luxembourg<\/strong>, Luxembourg Art Week<\/strong>, Luxembourg<\/strong>; with Ingrid Luquet-Gad<\/strong>, Jerry Galle<\/strong> and Tirdad Zolghadr<\/strong>.<\/p>

SEPTEMBER 2023<\/strong> \u00b7 The Cultural and Creative Revolution of Generative Artificial Intelligence<\/a><\/em> (roundtable), ARTLAB Bergamo<\/strong>, Fondazione Fitzcarraldo<\/strong>, Bergamo<\/strong>; with Simone Arcagni<\/strong>, Luca Baraldi<\/strong>, Elisa Giaccardi<\/strong> and others.<\/p>

2023<\/strong> \u00b7 Will writers lose their jobs with the advent of new AI language generators?<\/a><\/em>, STS Italia Conference 2023<\/strong>, University of Bologna<\/strong>, Bologna<\/strong>.<\/p>

SEPTEMBER 2023<\/strong> \u00b7 Technology, Artificial Intelligences and Complex Problems<\/a><\/em>, Rena Summer School 2023<\/strong>; with Luca Baraldi<\/strong>.<\/p>

2023<\/strong> \u00b7 Generative artificial intelligence and the future of cultural diversity<\/a><\/em>, World Wide Wisdom Conference<\/strong>, organised by Translated<\/strong>, Rome<\/strong>; with Maria Domenica Castellone<\/strong>, Alessandro Fusacchia<\/strong>, Luca De Biase<\/strong>, Roberto Viola<\/strong>, Marco Trombetti<\/strong> and Diletta Huyskes<\/strong>.<\/p>

JUNE 2023<\/strong> \u00b7 Food Data Digestion<\/a><\/em>, Fondazione Circolo dei Lettori<\/strong>, Cantieri 2023, Turin<\/strong>; with Mariano Dammacco<\/strong> and Josephine Condemi<\/strong>.<\/p>

JUNE 2023<\/strong> \u00b7 AI for Good<\/a><\/em> (panel), We Make Future<\/strong>, Rimini<\/strong>; with Antonella Guidazzoli<\/strong> and Maria Chiara Liguori<\/strong> (CINECA<\/strong>), Nicoletta Tranquillo<\/strong> (Kilowatt<\/strong>).<\/p>

APRIL 2023<\/strong> \u00b7 Inhabiting the Highlands<\/em> (video contribution), Seed360 \u2013 Festival Seed Design Actions for the Future<\/strong>, Fondazione Giordano<\/strong>; with Margherita Manfra<\/strong> and Paolo Piacentini<\/strong>.<\/p>

2023<\/strong> \u00b7 And We Thought. Art & AI<\/a><\/em>, CINECA<\/strong>, Bologna<\/strong>, AI and Cultural Heritage between research and creativity<\/em> workshop, at the invitation of Eurac Research<\/strong>.<\/p>

2023<\/strong> \u00b7 And We Thought. Art through, with and for AI<\/em>, TU Delft<\/strong>, Industrial Design Engineering, Delft<\/strong>.<\/p>

2023<\/strong> \u00b7 Pratolungo Unconference<\/em>, at the invitation of Alessandro Fusacchia<\/strong>.<\/p>

SEPTEMBER 2022<\/strong> \u00b7 Digital ecosystem for the cultural sector<\/em> (roundtable), ARTLAB Bergamo 2022<\/strong>, Fondazione Fitzcarraldo<\/strong>, Bergamo<\/strong>.<\/p>

2022<\/strong> \u00b7 Engaging communities in the New European Bauhaus framework<\/em>, Global Mountain Sustainability Forum<\/strong>, at the invitation of Eurac Research<\/strong>.<\/p>

JUNE 2022<\/strong> \u00b7 Artificial intelligence as a creative tool for activism<\/em>, ISEA 2022, 27th International Symposium on Electronic Art<\/strong>, Barcelona<\/strong>.<\/p>

2022<\/strong> \u00b7 Citizens\u2019 active engagement through data sharing<\/a><\/em>, All Digital Weeks<\/strong> webinar.<\/p>

2022<\/strong> \u00b7 The role of public digital art for citizens\u2019 engagement in public affairs<\/a><\/em>, Italian Chamber of Deputies<\/strong>, Rome<\/strong>, Il futuro dell\u2019IA<\/em> conference, organised by Alessandro Fusacchia<\/strong>.<\/p>

2022<\/strong> \u00b7 How to build new synergies between the artistic and the academic context to support a more encompassing HCI research and education<\/em>, Free University of Bozen-Bolzano<\/strong>, Bolzano<\/strong>.<\/p>

2021<\/strong> \u00b7 Invisible Connections: Art, Science, Businesses and Citizens<\/a><\/em>, Resilienze Festival<\/strong>, Bologna<\/strong>; with Alessandro Rancati<\/strong>, Elly Schlein<\/strong>, Linda di Pietro<\/strong>, Nadia Pinardi<\/strong> and Leonardo Caffo<\/strong>.<\/p>

2021<\/strong> \u00b7 Interview with <\/a>Manuel Cirauqui<\/a><\/strong>, curator of the S+T+ARTS<\/strong> exhibition, Creative and Cultural Industries Festival<\/strong>, Bologna<\/strong>.<\/p>

2021<\/strong> \u00b7 From Civic Imagination to Social Enterprise<\/a><\/em> (online talk), TorinoProxima<\/strong> with SocialFare<\/strong>, at the invitation of CCW Cultural Welfare Center<\/strong>.<\/p>

2021<\/strong> \u00b7 Data Tour d\u2019Italie: A Network Connecting the Environment and Data<\/em>, Privacy Week<\/strong>, at the invitation of Privacy Network<\/strong>.<\/p>

2021<\/strong> \u00b7 Video interview<\/a>, Italia Che Cambia<\/strong>, with Daniel Tarozzi<\/strong>.<\/p>

2020<\/strong> \u00b7 Industries MEET Creativity<\/a><\/em> (moderator), Regional S+T+ARTS Centers Symposium<\/strong>, MEET Digital Culture Center<\/strong>, Milan<\/strong>.<\/p>

2020<\/strong> \u00b7 IAQOS: An Open-Source Neighbourhood Artificial Intelligence<\/a><\/em> (online talk), Festival Informatici Senza Frontiere<\/strong>.<\/p>

2020<\/strong> \u00b7 Sotto Sopra: Rethinking the Meaning of Places through Community and Creativity<\/em> (online talk), MOU \u2013 narrazioni di una montagna comune<\/strong>; with Cooperativa 19<\/strong>, Comuniterrae<\/strong> and La Rivoluzione delle Seppie<\/strong>.<\/p>

2019<\/strong> \u00b7 Art as a Strategy for Social and Economic Development<\/em>, ArtLab Bergamo<\/strong>, Bergamo<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Committees and juries<\/h2>\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Scientific committee of Dedalus \u2013 New Media and Digital Culture Research Center<\/a>, IULM University.<\/p>

Scientific committee of Ri-generare con creativit\u00e0<\/a>, Italian Ministry of Culture.<\/p>

Impact Grant Selection Committee<\/a>, The Supporting Act Foundation.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2025<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Jury for the A Discovery Guide for Recovery<\/a> open call for artists (Creative Europe), with Josh Plough (Fundacja Ziemniaki) and Alina Oliinyk (Territory NGO)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2024<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Jury for the European Digital Deal<\/em> open call for artists (Creative Europe), with Wu Ming 2, Luca Baraldi, Ilaria Bonacossa, Sara Tonelli and Barbara Busi<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2023<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Jury for the Cibernetica e fantasmi<\/a> open call for poets<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2022<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Jury for the AI4Future<\/a> open call for artists (Creative Europe)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2021<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Jury for the International Summer Session open call for artists, V2_ Lab for the Unstable Media<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Awards and recognition<\/h2>\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2023<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

MAXXI Bvlgari Prize for Digital Art<\/a>, And We Thought<\/em> by Roberto Fassone.<\/p>

VDA Award<\/a>, Rosetta Mission<\/em> by Luca Pozzi (AI4Future<\/a>).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2022<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Recognised as a good practice within the H2020 Artsformation<\/a> project<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

2021-2017<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

ITAS Prize<\/a> for the Nonturismo guide to Ussita.<\/p>

ADI Design Index<\/a> (Compasso d\u2019Oro).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t