{"id":32904,"date":"2021-01-23T10:42:00","date_gmt":"2021-01-23T10:42:00","guid":{"rendered":"https:\/\/sineglossa.it\/?post_type=progetto&p=32904"},"modified":"2025-03-15T17:10:01","modified_gmt":"2025-03-15T17:10:01","slug":"data-tour-ditalie","status":"publish","type":"progetto","link":"https:\/\/sineglossa.it\/en\/projects\/data-tour-ditalie\/","title":{"rendered":"DATA TOUR D’ITALIE"},"content":{"rendered":"\t\t
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Inspired by the\u00a0New European Bauhaus<\/a>\u00a0manifesto, of which Sineglossa is an Official Partner, Data Tour d\u2019Italie is a network of artists, researchers, scientists, cultural practicioners and data students, who collected and interpreted data from the Alps, investigating the melting of glaciers, from Bologna, for a lunge on the air quality of the Po Valley; from Fano, to delve into the issue of microplastics invading the Adriatic; and, finally, from Cagliari, to provide a possible interpretation of the effect that anthropogenic activity has on wind and rain.<\/p>

The network was established on the occasion of the\u00a0Ars Electronica Festival\u00a0<\/a>2021<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\"Sardinia,Dune,Beach,Porto,Pino,Sky\"<\/figure><\/div>
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The artworks<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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Un suono in estinzione, by Neunau<\/h4>\t\t\t\t<\/div>\n\t\t\t\t
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A Sound in Extinction<\/em>\u00a0is an art and science project aimed at\u00a0monitoring the implications of climate change on alpine glaciers\u00a0<\/b>through artistic exploration.
Sudden collapses, opening of crevasses-these<\/b>\u00a0are just some of the possible\u00a0sound phenomena occurring on glaciers that climate change triggers more frequently<\/b>. These are valuable documents, as these sounds are an\u00a0acoustic representation of the symptoms of ongoing change<\/b>\u00a0and a monitoring tool that gives information about when and how often these phenomena occur.
Through the installation of\u00a0customized recording devices,\u00a0<\/b>we will track changes from inside the\u00a0Adamello Glacier\u00a0<\/b>during all seasons.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Un millesimo di millimetro, by Giovanni Muzio<\/h4>\t\t\t\t<\/div>\n\t\t\t\t
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One thousandth of a millimeter\u00a0<\/em>hypothesizes a near future in which microplastics are so pervasive in the oceans that they become part of the evolution of marine microorganisms<\/b>.
Databases and molecules of meiofaunal microorganisms are mixed with plastic databases and molecules to generate never-before-seen marine microorganisms through artificial intelligence.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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ENTU by Emanuele Balia, Fabrizio Casti, Sandro Mungianu<\/h4>\t\t\t\t<\/div>\n\t\t\t\t
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<\/b>ENTU<\/em>\u00a0(\u201cwind\u201d in Sardinian) is a\u00a0science art project<\/b>\u00a0in which researchers and artists collaborate to\u00a0Returning open data in the form of music, images and words through the use of artificial intelligence algorithms<\/b>, to provide a highly perceptual, visual and aural return of the effect that pollution and development, understood as anthropogenic pressure, have on wind, rain and the environment.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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MOSS, by Marco Barotti\u00a0\u00a0<\/h4>\t\t\t\t<\/div>\n\t\t\t\t
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The central element of the\u00a0kinetic sound sculpture<\/b>\u00a0is a\u00a0moss-covered<\/b>\u00a0dome\u00a0whose movement is guided by readings of nitrogen oxide concentrations at various locations on our planet<\/b>. Moss is considered a\u00a0bioindicator of air pollutionand<\/b>this constitutes Barotti\u2019s first collaboration with a living organism. In the course of the project, the artist plans to collaborate with local moss experts, environmental scientists and moss psychologists in order to create relatives along inventive lines of connection.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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The artists<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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  1. NEUNAU
    <\/b>An artistic sound research project born in 2015 in Valcamonica. The name is engraved on a rock at Loa, an Iron Age cult site.The project is inspired by the archaeological and musicological approach applied to music research. Neunau\u2019s sound investigations are developed from the details that a sound source expresses, capturing and exploring sounds, going to discover their potential musicality, making audio tracks and docufilms where the main subject is sound used as a medium to tell the story.<\/li>
  2. Giovanni Muzio
    <\/b>Giovanni Muzio is a new media artist and creative technologist whose work focuses on the social impact of paradigms introduced by new media, constantly combining visual art and the latest technological trends.
    Muzio has been working extensively with Generative Art and Neural Networks to create immersive artworks where the unpredictability of randomness is mixed with the order and aesthetics of mathematics in a combination that leads to poetic hallucinations.<\/li>
  3. Emanuele Balia, Fabrizio Casti, Sandro Mungianu
    <\/b>Emanuele Balia is a musician and audio programmer who develops interactive audio systems for installations and live performances.
    Fabrizio Casti draws his aesthetics from instrumental composition, but also works in the fields of installation art, visual arts and improvisation. He is a lecturer at the State Conservatory of Music in Cagliari, Italy.
    Sandro Mungianu is a composer and multimedia artist. He always interacts with robotics and hyper-instruments in his works. He is currently a lecturer at the \u201cFrancesco Morlacchi\u201d Conservatory of Music in Perugia.<\/li>
  4. Marco Barotti
    Marco Barotti, a Berlin-based, award-winning multimedia artist who has never before exhibited in Italy.<\/b>
    However, his work has been exhibited at Ars Electronica (Linz), Saatchi Gallery (London), Futurium (Berlin), Polytech Festival (Moscow), Fact (Liverpool), Picknick (Seoul), Isea (Montreal), Dutch Design Week (Eindhoven), among others.
    After studying music and drums in Italy at the Siena Jazz Academy, he arrived in Berlin in 2007, thus entering a new dimension of sound that blends the different genres and influences present in the city.
    The main goal of his work is the creation of a \u201ctechnological ecosystem\u201d as a metaphor for the anthropogenic impact on the planet to make people aware of environmental issues.<\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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    Events<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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    1. Network Launch<\/b>
      <\/i>\u00a0September 9 \u2013 12, 2021
      <\/i>Garden Ars Electronica,\u00a0online<\/a>\u00a0and in Bologna and Fano<\/li>
    2. Marco Barotti Exhibit<\/b>
      <\/i>\u00a0September 2021

      <\/i><\/i><\/b>Resilience Festival, Bologna<\/li>
    3. Data Tour d\u2019Italie Panel:<\/b> How can data help us better understand environmental and social<\/i> challenges?<\/i><\/b>
      <\/a><\/i>\u00a0September 11, 2021
      <\/i>\u00a0Resilience Festival, Bologna, and\u00a0      online<\/a>
      Federica Fragapane<\/a>,\u00a0<\/b>Luca Martinelli,\u00a0Valentina Tanni<\/a><\/li><\/ol>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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      Credits<\/h3>\t\t\t\t<\/div>\n\t\t\t\t
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      Curators: Federico Bomba (Sineglossa), Filippo Rosati\u00a0(Umanesimo Artfiiciale<\/a>)
      Partners:\u00a0      Kilowatt<\/a>, IRBIM-CNR,\u00a0EIA Factory<\/a>, Ideas of Volumes \u2013 Valle Camonica<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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      Projects you might like<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"featured_media":7561,"parent":0,"template":"","meta":{"_acf_changed":false},"categories":[127],"tags":[159,117],"class_list":["post-32904","progetto","type-progetto","status-publish","has-post-thumbnail","hentry","category-curatorship","tag-artificial-intelligence","tag-art-and-technology"],"acf":[],"yoast_head":"\nDATA TOUR D'ITALIE | Sineglossa<\/title>\n<meta name=\"description\" content=\"Data Tour d'Italie: pieces of art on environment and data. 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